A Quote by Frank Miller
I moved to New York and was told, "Go back home. We don't need you. Go pump gas. You're from Vermont. We've got no use for you. You're not drawing guys in tights." So, I learned how to draw guys in tights, and I put them in as many crime situations as I could.
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I was always into noir. When I lived in Vermont I was drawing stuff that looked like an amateur doing 'Sin City'. When I first got to New York I was swiftly informed that they only did guys in tights.
The comics I read as a kid were all about guys in tights. But here was a guy who wore a fedora. He fought crime like they did in Marvel and DC, but he did it in the real world. I had just turned 12 when I met the Spirit and it was a strange coincidence. At the same time I discovered girls I fell out of love with guys in tights.
I hate superheroes. I always hated superheroes. From the time I was a little kid, I could believe in a 50-foot gorilla trashing New York City before I could believe a guy would put on long tights and bat ears and go and fight crime. Like, the fantasy never made sense to me, on a basic level.
It's just part of whatever motivates guys and whatever they say. Ultimately it comes down to how well you play. What I've learned over the years, a lot of guys talk. What you need to do is go out there and play, back it up. They've been able to back it up, so that's why it works for them. Hopefully we can go out there and do our talking on the field.
I think tights make a comeback out of necessity every season: you can only go so far with naked legs in the cold! You've got to protect yourself. I remember going to a fashion show and saying, 'And it's okay if I wear nude tights with this?' to the designer, who looked at me like I just killed his dog or something.
I grew up on the crime stuff. Spillane, Chandler, Jim Thompson, and noir movies like Fuller, Orson Welles, Fritz Lang. When I first showed up in New York to write comics back in the late 1970s, I came with a bunch of crime stories but everybody just wanted men in tights.
You're so used to being on the road and having a schedule that the insanity seeps in when you're sitting at home and there's nothing going on that day. I remember the first time we got off one of our first big tours, I told my guys, "Go home to your girlfriends." The next day, all my guys texted me like, "Do you wanna, like, do something? Let's all go bowling. I can't hang with people that live normal lives."
I moved to New York at 17 to go to school. At 24, I moved back to Ithaca, then moved back to New York at 28.
There are good guys, and there are congressional people who are good guys, and I certainly vote in those elections. You know, my fondest dream would be if Obama, when he got out of office, decided he was going to go back and organize on the streets. He'd be the only person I could imagine who could really create a movement similar to what King did, and God knows we need that now.
I will wear tights even if it's 100 degrees outside. Tights are my safety blanket.
I dressed as the Riddler once, when I was little too heavy to do. I would wear tights. My brother was in a hair metal band, and he had Riddler tights made. My brother's a geek, but he was in a heavy metal band, so I'm a chubby fifteen-year-old, and I borrow his Riddler tights and wear them to school with the package. That wasn't a good idea.
When I started looking for pointed shoes, I used to go to Fairfax on Orchard Street in New York City, one of those little pushcart guys. I'd say, 'You got any pointy shoes?' They would go way, way in the back and come back with a dusty box, blow the dust off the top, and say, 'What do you want with these things? Give me twenty bucks. Go on, get outta here!' And that was the beginning.
I took a lot of pride, honestly, in hiring these young guys, that not only to become future head coaches, but I wanted young guys that could help me - guys that can coach, guys that could study, guys that loved it, that would do it for nothing. That's how I got into coaching with the 49ers when John McVay hired me.
I wasn't around in the old days, but if you look at guys from the 70s, 80s and 90s, back then these guys were the kind of guys that if you walked up to them in a bar you would not go up to them and talk trash to.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
Kids from New York usually don't stay in New York anymore: they go to prep schools and all sorts of stuff nowadays. I'm just happy to be one of the guys in our league from New York, to represent.
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