A Quote by Frankie Avalon

I think todays music absolutely stinks. I really do mean that. — © Frankie Avalon
I think todays music absolutely stinks. I really do mean that.
I think today's music absolutely stinks. I really do mean that.
I never would say a player stinks. Ever. I'll tell you their team stinks, and first of all, they know their team stinks. And the fans know their team stinks.
It's crazy to think of myself as a musician. It's ridiculous that I get to do it, and I don't necessarily mean music. Getting to do something you really enjoy as a job is an incredible privilege, I think. I still don't really feel like a musician outside of the actual music.
Life stinks, but that doesn't mean you don't enjoy it.
The future never takes care of itself; it is taken car of, shaped, molded, and colored by the present. Our todays are what our yesterdays made them; our tomorrows must inevitably be the product of our todays.
I like the music. I love it & live it in fact. But for me the business part of music just plain stinks.
I think rap music is rap music. I mean, are there heavy writing aspects of it? Absolutely. In a sense, is it poetry? Yeah. I've heard that so much, growing up in a house with poetry. But I think people like to use that as a shortcut for who's good and who's not. It's like the word 'lyrical' - 'lyrical' is the worst word in the entire world.
Because he stinks on the power play. He stinks. I don't know why. I wish I could put him on the power play, but every time I put him on, he stinks.
Tomorrow never really comes, so todays performance is what really counts.
If something stinks, I say it stinks. But I try to massage it a little and not be as cutting, come behind it with a joke: Hey, I cut you deep, but now let me put a couple of stitches in you.
It's technically extremely difficult to get down what you really mean, not what you think you mean, or what you think sounds good, but what's really there, what you really have to express, in words that somehow convey that meaning in an approximate way.
I really, really love to move. You know what I mean? I mean, it's not a workout, but I absolutely love to do it, and that's performing, which is very close to doing Zumba. When you're onstage and you're moving everything, every single part of your body, it's actually working and active to the tips of your fingers. You're burning a hell of a lot of calories. And I think that's what people always look forward to - they want to know how many calories they've burned, and it's really important to actually know that and know your nutrition even more.
I mean, take 'Chariots Of Fire.' That opening scene, the long shot of the runners along the beach, and then you hear that music... I think that was one of the first times synthesizers were really used in movie music. I just flipped! I didn't even care what the story was going to be. Give me a nice marriage of sound and music.
I think I'm really part of a whole generational movement in a way. I think a lot of other people since and during this time have gotten interested in writing what we can still call experimental music. It's not commercial music. And it's really a concert music, but a concert music for our time. And wanting to find the audience, because we've discovered the audience is really there. Those became really clear with Einstein on the Beach.
I think no matter how you think about your music, you're ultimately in the music 'business.' I think you have to be business-minded in some sense. And for me, the real goal... is positive intention and social change through music. It doesn't mean that can't turn a profit.
The definition of 'safe' is not strictly an engineering term; it's a societal term. Does it mean absolutely no loss of life? Does it mean absolutely no contamination with radiation? What exactly does 'safe' mean?
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