A Quote by Frankie Cosmos

The thing is, I feel like it would defeat the purpose of being a musician if I let any kind of fear of failure affect my songwriting or making an album or whatever. — © Frankie Cosmos
The thing is, I feel like it would defeat the purpose of being a musician if I let any kind of fear of failure affect my songwriting or making an album or whatever.
Fear is at the root of so many of the barriers that women face. Fear of not being liked. Fear of making the wrong choice. Fear of drawing negative attention. Fear of overreaching. Fear of being judged. Fear of failure. And the holy trinity of fear: the fear of being a bad mother/wife/daughter.
The power of fear of failure, with will to win, is an incredible force. I don't think we should be worried about having a fear of failure; I think it's quite natural. If you surveyed any top businessman or any top athlete, I bet if they were truthful, they would all say they've got a fear of losing and a fear of failure.
Listening closely to songs these days, there's a lot of lazy songwriting where people get away with it. I don't want to be too critical about it. But I also feel like I wanted to say something a bit different from just being a musician and singing about yourself. Ultimately, that's not really interesting to me. Even when I was a kid, I was interested in observing people and maybe making my own stories. That kind of reflects in my music.
I don't feel that Shaunae Miller cheated me because she didn't break any rules or anything like that, but I do feel like it's a very difficult way to lose. Having worked so hard and I know that that was such a close race, it just kind of made it even harder to deal with defeat just because of how it was done. But I don't think that she had any ill intention by it or did it on purpose. I think it just kind of happened.
I've been a list maker for years, even before I was a musician. I was always writing things down and kept long lists of things that would make good album titles and things like that. I'm constantly thinking in terms of songwriting.
For me, promotional thing about some new album coming out destroys a lot of the excitement of making records. Records, movies, books - they're not supposed to be like math books. The purpose of them is to kind of take us out of ourselves and give us some sort of alternate experience or respite. To try to maximize the relationship of listening to a record through promotion is like experiencing driving a car by reading about stimulus programs. It kind of defeats the purpose.
I guess every musician looks forward to a point where they can just kind of make an album that truly is like a nice art album.
It has been said that genius is only the power of making continuous effort. The line between failure and success is so fine that we scarcely know when we pass it. We are told that there is no failure, except in no longer trying - no defeat, except from within, no really insurmountable barrier save our own weakness of purpose.
I can't say that I am not driven by success or have a fear of being successful. But for me, the ultimate thing is just about being good at what I do. Because if I made an album that I didn't really like and it was super successful then I wouldn't happy within. That's the kind of person I am.
I feel like if Hollywood can stretch for inclusion and intersectionality, and being intentional with its intersectionality, that that can ripple out past Hollywood into whatever industry and kind of affect society as a whole.
Early withdrawal from Iraq would result in unarguably, defeat and humiliation for the United States. There's no question. We would be defeated by definition. We would be humiliated in that defeat. I don't think there's any other way to argue it. Whether it's a good thing or a bad thing is a separate question.
I'm proof against that word failure. I've seen behind it. The only failure a man ought to fear is failure of cleaving to the purpose he sees to be best.
I always try to balance life by thinking failure of any kind, be it relationship or any project, should not affect me as an individual.
I think the two are kind of synonymous for me; songwriting is like my form of diary making. It's how I process the world. Without doing that, I feel kind of lost. The characters that I play often come out in the songs and the challenges that they face, albeit in an abstract way.
This 'Making Mirrors' album is far more personal, even if there's a character element to the sounds I'm working with. Every song on this album I stand behind; I feel like I have a close relationship with them. There are older songs where I can feel myself writing a story, so this is the first album where I'm proud of every lyric.'
I would rather like to think of God as being a kind of adventurer - even as Wells thought about him - or perhaps as something within us making for some unknown purpose.
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