A Quote by Frankie Cosmos

I played my first show when I was 17, and that was a big moment. I realized it was something I could keep doing. — © Frankie Cosmos
I played my first show when I was 17, and that was a big moment. I realized it was something I could keep doing.
I had a moment - and I don't know if it was funny, necessarily, but I realized the effect I could have on people - when I was doing a production of 'The Little Prince,' and I played the snake.
The first time I ever performed spoken word poetry in front of a big crowd, it totally failed. It ended, people barely clapped...in retrospect the poem was terrible. And for a while I thought this was something I would never do again. And then I realized that, in my 17-year-old head, that was the worst it could have been. And it wasn't that bad - [because] from there, it could only get better. And I think that failure kind of freed me up to explore and not be afraid of failing again.
I think I might have played a song on piano or guitar in a school talent show. I went to an all girls school, so there were always little things going on, but it wasn't really until I was 17 that I did a proper performance. My first big one was Glastonbury, before I was signed.
I could not tell you if I loved you the first moment I saw you, or if it was the second or third or fourth. But I remember the first moment I looked at you walking toward me and realized that somehow the rest of the world seemed to vanish when I was with you.
A baby's existence for the first three months is a one-way street. One person is doing all the work and the other is crying, sleeping and pooping. So the first moment when you're actually able to do something and they acknowledge your presence, that's a big deal. A very big deal.
Those first big concerts we played as 'Throwing Copper' started to really reach people worldwide - I think we played our first big arena show at the George Estate basketball arena down in Atlanta. I remember showing up and standing on stage and just being like, 'I can't believe this is going to be full of people. This is huge.'
The first time someone asked us for an autograph was the moment we realized we were doing something that most people spend their teenage years dreaming about, for sure.
I was on a TV show called 'Glee.' I mean, I was on the real tail end of that show; it was already way past its peak. But still, for me aged 17 landing something like that was a big deal.
My first big show in Denver was 'Ruthless! The Musical.' I played Tina Denmark at the Theatre on Broadway. It was my big break!
I was 17 years old and in my first band, and we played at the university. I was kind of a gawky, unpopular teenager and there was about 400 people smiling and dancing to what we were doing.
I think, the first time I played Iago at the Public Theater, I realized I had a - much to my chagrin - I realized I had an instinct for these conflicted characters, for these torn characters, for these characters who could be described as evil. I wouldn't describe them that way.
In 2003, being Virginia Player of the Year was an amazing feeling because I think that was the moment I realized I could actually, really go far in my sport, and I was actually, really good at something. At that moment, I knew that I could play at a high level.
When you first get out of doing a show for a long time where you played a teenager, casting directors and producers all still look at you as being the character that you played for so long.
In a moment, or type of pressure, you just go out, and I play like I always do. Because it's a big moment, I'm not going to shy away and not show my talents. I'll show what I can do and show it every game.
I only wish I could have played in the big leagues when I was young enough to show what I could do. When an offer was given to me to join up, I was too old, and I knew it.
What I realized the moment I got to Oxford was that someone like me could not really be part of it. I mean, I could make a success there, I could even be perhaps accepted into it, but I would never feel it was my place. It's the summit of something else. It's distilled Englishness.
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