A Quote by Francis Arinze
Religion is one dimension of culture, a transcendent element of it.
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In the Old Testament, the God of the Prophets never was completely on Israel's side. There was a primitive national religion, but it was always a transcendent God who had judgment first in the House of God. This is the true religion. It has a sense of a transcendent majesty and a transcendent meaning so that that puts myself and the foe under the same judgment.
Art is not a substitute religion: it is a religion (in the true sense of the word: 'binding back', 'binding' to the unknowable, transcending reason, transcendent being). But the church is no longer adequate as a means of affording experience of the transcendental, and of making religion real - and so art has been transformed from a means into the sole provider of religion: which means religion itself.
Art has often been and continues to be considered transcendent. I see this as misguided and, in fact, a way of subverting the powerful voice art can be in global discussions about politics, economics, society, culture, religion and international relations.
It is generally admitted that the cultural values (humanization) and the existing institutions and policies of society are rarely,if ever, in harmony. This opinion has found expression in the distinction between culture and civilization, according to which "culture" refers to some higher dimension of human autonomy and fulfillment, while "civilization" designates the realm of necessity, of socially necessary work and behavior, where man is not really himself and in his own element but is subject to heteronomy, to external conditions and needs.
They who seek religion for culture's sake are aesthetic, not religious, and will never gain that grace which religion adds to culture, because they never can have the religion.
Art doesn't have the stench of a community program. It's transcendent. It is transcendent of morality and transcendent of political position. It is absolutely free. It is the community center.
You unlock this door with the key of imagination. Beyond it is another dimension: a dimension of sound, a dimension of sight, a dimension of mind. You’re moving into a land of both shadow and substance, of things and ideas. You’ve just crossed over into… the Twilight Zone.
My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there's the reality: there's no Heaven, no afterlife of the sort we were promised, and no personal God.
A faith in culture is as bad as a faith in religion; both expressions imply a turning away from those very things which culture and religion are about. Culture as a collective name for certain very valuable activities is a permissible word; but culture hypostatized, set up on its own, made into a faith, a cause, a banner, a platform, is unendurable. For none of the activities in question cares a straw for that faith or cause. It is like a return to early Semitic religion where names themselves were regarded as powers.
As I have pointed out, it is the Christian tradition that is the most fundamental element in Western culture. It lies at the base not only of Western religion, but also of Western morals and Western social idealism.
The transcendent experience is common to every culture in the world.
It's like wine and food, or coffee and a pastry - coffee's awesome and a chocolate croissant is awesome, and together, they're transcendent. To me, music is the same way. Chris Stapleton is transcendent. Julien Baker is transcendent. Together, they're going to be euphoria.
The new culture war is about national identity rather than religion and 'transcendent authority.' It focuses on which groups the United States will formally admit to residence and citizenship. It asks the same question as the old culture war: 'Who are we?' But the earlier query was primarily about how we define ourselves morally. The new question is about how we define ourselves ethnically, racially and linguistically. It is, in truth, one of the oldest questions in our history, going back to our earliest immigration battles of the 1840s and 1850s.
The second fundamental feature of culture is that all culture has an element of striving.
Culture is only true when implicitly critical, and the mind which forgets this revenges itself in the critics it breeds. Criticism is an indispensable element of culture.
Culture is another dimension.
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