A Quote by Francis Bacon
Great art is deeply ordered. Even if within the order there may be enormously instinctive and accidental things, nevertheless they come out of a desire for ordering and for returning fact onto the nervous system in a more violent way.
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We have penetrated far less deeply into the regularities obtaining within the realm of living things, but deeply enough nevertheless to sense at least the rule of fixed necessity... what is still lacking here is a grasp of the connections of profound generality, but not a knowledge of order itself.
If we can abstract pathogenicity and hygiene from our notion of dirt, we are left with the old definition of dirt as matter out of place. This is a very suggestive approach. It implies two conditions: a set of ordered relations and a contrevention of that order. Dirt then, is never a unique, isolated event. Where there is dirt there is a system. Dirt is the by-product of a systematic ordering and classification of matter, in so far as ordering involves rejecting inappropriate elements.
I was struck by the way in which meanings are historically attached to words: it is so accidental, so remote, so twisted. A word is like a schoolgirl's room--a complete mess--so the great thing is to make out a way of seeing it all as ordered, as right, as inferred and following.
What they [ ruling elite] understand is that matters of desire, subjectivities, identities matter. And they take the cultural apparatuses that they control enormously, enormously, in an enormously important way.
Even in a personal sense, after all, art is an intensified life. By art one is more deeply satisfied and more rapidly used up. It engraves on the countenance of its servant the traces of imaginary and intellectual adventures, and even if he has outwardly existed in cloistral tranquility, it leads in the long term to overfastidiousness, over-refinement, nervous fatigue and overstimulation, such as can seldom result from a life of the most extravagant passions and pleasures.
In fact, the influence of Schoenberg may be overwhelming on his followers, but the significance of his art is to be identified with influences of a more subtle kind - not the system, but the aesthetic, of his art. I am quite conscious of the fact that my Chansons madécasses are in no way Schoenbergian, but I do not know whether I ever should have been able to write them had Schoenberg never written.
The nervous system of any age or nation is its creative workers, its artists. And if that nervous system is profoundly disturbed by its environment, the work it produces will inescapably reflect the disturbances, sometimes obliquely and sometimes with violent directness.
The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man’s mind can compass, that mind itself being but a fact among others.
Your immune cells are like a circulating nervous system. Your nervous system in fact is a circulating nervous system. It thinks. It's conscious.
Your immune cells are like a circulating nervous system. Your nervous system in fact is a circulating nervous system. It thinks. It’s conscious.
Jesus, I wondered, what do you do with pain so bad it has no redeeming value? It cannot even be alchemized into art, into words, into something you can chalk up to an interesting experience because the pain itself, its intensity, is so great that it has woven itself into your system so deeply that there is no way to objectify or push it outside or find its beauty within. That is the pain I’m feeling now. Its so bad, its useless. The only lesson I will ever derive from this pain is how bad pain can be.
The generality of men are so bound within the sphere of their circumstances that they have not even the courage to get out of them through their ideas, and if we see a few whom, in a way, speculation over great things makes incapable of mean ones, we find still more with whom the practice of small things takes away the feeling for great ones.
Even though I don't have any larger spiritual or ideological system, there is some logic in concert with a huge number of beautiful, disconcerting, screwed-up variables that results in a certain visual pleasure in violent things. Like a broken egg yolk can be the most violent thing I've seen all day, if I'm in the right mood. But also tons of trash in the woods or a burned-up trailer park can also come across as especially violent.
I felt like I could be a good example that you don't have to have all the right things in life, all the doors already open for you, in order to do great things. In fact, I truly believe that a lot of people who do great things, many of them have come from harder backgrounds.
It's a lot to do with the Marvel ecosystem. It's different from the traditional studio system. Because it is, for how absurdly, incredibly successful they are, it is a family. It is a loving family. It is a group of people who only care about making things good. They don't choose directors who don't want to work with them in the way that they work. And the directors that they choose are better for having done it. Every director who comes out of that system are one kind when they come in, another when they come out. And they usually come back for more. They usually make more than one.
...it is only when a man goes out into the world with the thought that there are heroisms all round him, and with the desire all alive in his heart to follow any which may come within sight of him, that he breaks away... from the life he knows, and ventures forth into the wonderful mystic twilight land where lie the great adventures and the great rewards.
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