A Quote by Frances Stark
My dream is to collaborate with a mature person.I feel like my talents were being wasted in art school. I would like to try something else, but not the obvious or usual thing.
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I guess I feel like; if you're doing something and people are accusing you of appropriating something like that so obviously, then I would feel like I've failed as a creative person. It's just like stealing something and doing some sort of slight alteration to it - I'd feel like I'm not doing my job as a musician, or as a creative person - if it's just obvious like that.
If someone else was in the room, I wouldn't feel comfortable doing what I wanted to do. I would try to play something that the other person or people would love or would like, at least. Nothing was true because I was not playing what I wanted, and they were not listening to anything that was coming from anywhere true.
When I think of someone equating poems and machines, it makes me feel like that person would like poems to have a more obvious use value in society. They're not happy with poetry being this ephemeral, indefinable thing. They want it to be "real."
I'm just used to leaving and being like, "I feel like I wasted their time and I definitely wasted my own time." I often leave auditions thinking that that person is now permanently mad at me.
I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
It's hard sometimes when you're in a regular high school, you just feel like the odd kid out. The great thing about going to an art school [is] it's kind of like it's all the odd kids. It's all the kids that don't fit in at their regular schools, because you're into something and excited about something that other kids really aren't into. When you go to art school, everybody's kind of on the same page.
I think a lot of games in Oakland were just time being wasted, for a lack of a better phrase. I felt like I would play in some games that were four quarters, just like every other game, but it didn't feel like I was doing anything. It just felt like I was out there.
I feel like kids don't dream big enough. With art being taken out of school, it's important to know you can create as well.
I don't like it when people who are young act like they're 40. That's taking too much on. Putting up a shield and trying to act like you're so mature or whatever - I don't try to act mature. Some people might say I'm mature for my age, but it's not something I'm trying to do, you know? I'm just me.
I went to art school in the days when it was what you did if you didn't want to be like everybody else. You wanted to be strange and different, and art school encouraged that. We hated the drama students - they were guys with pipes and cardigans.
I've learned that I don't want to be as open or public about relationships anymore. In my first relationship, I thought I could hold on to the normalcy of just being like "Yeah, we're dating," just like if it were high school and I was telling my friends. But in high school, there aren't articles written everywhere when you break up and you don't have everyone in the school coming up to you and asking what happened or sharing their opinion with you. It didn't feel like ours anymore, it felt like everybody else's.
In college, I was a painter, and I had a strong interest in fashion. I just like this concept of being able to dream something, materialize it, play with it and design it for the sake of someone else and for the sake of the joy in your own heart. So it's kind of like art that you're unattached to. It's art that you give away freely and I liked that about fashion.
Pitiful is the person who is afraid of taking risks. Perhaps this person will never be disappointed or disillusioned; perhaps she won’t suffer the way people do when they have a dream to follow. But when that person looks back – and at some point everyone looks back – she will hear her heart saying, “What have you done with the miracles that God planted in your days? What have you done with the talents God bestowed on you? You buried yourself in a cave because you were fearful of losing those talents. So this is your heritage; the certainty that you wasted your life.
But there’s a part of me that wonders what it would be like to be the most important person to someone else, to always feel like you were missing a piece of yourself when he wasn’t near you.
We all have a suspicion and hope that we've just been part of something special, something that may eventually change our lives. That no one else knows this makes it seem like we are living with a secret that we would like to share, but can't, sort of like having a superpower that's not come online or being president elect. For the moment, our lives proceed as usual, but within a month, we think, everything will change. It's a frustrating, if exciting, disconnect.
I love everything. I don't see myself doing a really serious drama in the next five to ten years. I don't feel mature enough for that yet. But I'd like to make a pure action movie one day or maybe I can do a comedy again. I do like everything. But I don't feel ready for a musical or something like that. That's not my thing yet.
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