A Quote by Soccer Mommy
I definitely learned stuff like advancing a show, what percentage I should be paid, what's going be in a contract I'm going sign.
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Every job in Hollywood is a risk. You don't know, when you sign a contract, if something is going to pop, you don't know whether this or that network is going to support your show. You just show up and do the best work you can do, gravitate towards the best material, you know, and try to make the right choices. And the rest of it is a roll of the dice.
When I review my contract, it is to make sure that I am not going to get in trouble or not paid. Then afterward, people say, 'Did you make sure they gave you a green room,' and I'm like, 'No, I didn't get any of the cool stuff.'
I don't believe stuff should be made for the perfect model. I think that's where we go wrong right now in this day and age: We make stuff that's not realistic. I always told myself, if I ever did a fashion show, I'm not going to have models. I'm going to have regular-sized women.
I had a great shoe contract and glove contract with a company who paid me a lot of money never to be seen using their stuff.
When you create stuff, you're always going to be progressing and where you're at a year down the line, as the creator, it's always going to feel immature. You're going to notice the flaws and the things that you've learned in that year aren't going to be there. So, I think it's important to see stuff as a capture of time - that's what I was doing at that time - and not be ashamed of it. That's how I try to approach music.
I remember a meeting I had at MGM. It was at the end of their reign. They say we have you under contract, and because you’re under contract, we’d like to you to work. I said, well, that seems fair. But if it’s a really good movie, they were going to give it to a particular actor that was not under contract. The bottom line was they were going to pay you more if it was a bad one and pay you less if it was a good one.
When I write a goal down - and I truly write them down - it becomes a part of me. That's a contract that I sign with myself to say, 'I don't care what happens - I'm going to stay on this path. I'm going to try and see this through; I'm going to give it my best shot, my best effort.'
Some songs are just going to be acoustic with just maybe some light background stuff going on and maybe violin or something like that. Or sax - I mean, I'm definitely having some sax. That's just what I love. It's going to be jazz-rock stuff. That's what I'm aiming for.
You sign a contract for a reason. You're bound by law to do what you say you're going to do.
I have no problem with people illegally downloading stuff. I'm not going to drive hard into 'You should buy my stuff,' because really, it's inevitable. If you like a song, you're going to download it for free. I have no problem with that.
The CONCEPT is though that you have to get an AGREEMENT BY CONTRACT and you KNOW that they are NOT going to respond. So the way that you are going to get your contract is THROUGH the public Notary through that process of showing an administrative procedure to the proper parties and their FAILURE to respond and then you are going to have to lodge the final result the evidence of that contract with the PROPER party With PETITION on the PRIVATE SIDE to get the acknowledgement.
If you're going to sign a contract, there are things you have to understand you might have to do. If you don't, then you walk away.
I was shocked. They were going to give me money to make this really odd show? Well, I still had little thought of it going to series, but I thought it was great that my next short film was going to be paid for.
I'm never going to sub-contract out jobs for offense and defense. I'm always going to hire people I believe in - and are going to do things our way, that are going to believe in process, that are going to be part of a program.
There should not be an entitlement that because you get paid the most money, that you should finish every game. But if you don't do it, then the agents are going to call, and the players are going to mope, and so you negotiate that. It's a compromise as a coach.
Nowadays, in the contract that actors sign, you have to agree that you're going to do a certain amount of publicity-the hard part they don't pay you for.
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