A Quote by Javier Bardem

I'm a huge fan of the director, Alejandro González Iñárritu, and his work, and I knew he was going to be an amazing actor's director, based on the performances that I saw in his movies.
Spending time with Mexican-born writer and director Alejandro Gonzalez Inarritu, you'd never guess that he's the filmmaker behind a series of movies known as the 'Death Trilogy.' The way he dotes on his children and talks about his wife makes it clear that he has a crackling passion for life.
[Alejandro González Iñárritu] went from Birdman to this - these are incredible ledges that he's stepping out on in making these films [The Revenant]. I think his only threat for best director is Room, to be honest.
When a director shifts gears as often as does Alejandro Gonzalez Inarritu, the man behind the emotionally rich debut film 'Amores Perros,' you may wonder if he knows what he wants.
Alexander Gonzalez Inarritu is a great director. He's the one I first worked with. He's amazing.
I met Alejandro Gonzalez Inarritu years ago during my college days, and I was in charge of international promotion of this movie festival he was invited to as part of the jury, and then he saw my work on a short film that was directed by a friend of mine.
In order to do 'Amores Perros,' I had to skip some time at drama school, so the director Alejandro Gonzalez Inarritu came up with a great Latin American solution, which was to say I had a tropical disease and had to stay in Mexico for a while. Everyone believed me.
I want to work with Darren Aronofsky, Damien Chazelle, Alejandro Gonzalez Inarritu and, of course, Majid Majidi.
I think of Ray Harryhausen's work - I knew his name before I knew any actor or director's names. His films had an impact on me very early on, probably even more than Disney. I think that's what made me interested in animation: His work.
I have a real thing for Mexican directors. And I love Guillermo del Toro and Alejandro Gonzalez Inarritu.
I love the variety of films. In theater, you go into a room and the director runs the room, so you all work to his or her method. On film, if an actor or an actress is in for a day or two, the director has to get out of that actor what they need, so they have to change and adapt to that actor's technique.
Lenny Abrahamson is really the only threat to [Alejandro González ] Iñárritu, simply because the entire act one of Room is amazing. I believe Brie Larson is absolutely deserving of her nomination [for Actress in a Leading Role]. I'm not sure if she's going to win, but I think this is a big moment for Brie Larson, I think her trajectory is going to go straight up.
Independent means one thing to me: It means that regardless of the source of financing, the director's voice is extremely present. It's such a pretentious term, but it's auteurist cinema. Director-driven, personal, auteurist... Whatever word you want. It's where you feel the director, not a machine, at work. It doesn't matter where the money comes from. It matters how much freedom the director has to work with his or her team. That's how I personally define independent movies.
Jimmy [Dean] was the most talented and original actor I ever saw work. He was also a guerrilla artist who attacked all restrictions on his sensibility. Once he pulled a switchblade and threatened to murder his director. I imitated his style in art and in life. It got me in a lot of trouble.
The difference between being an actor and a director is simple. The director has to hide his panic; the actor doesn't.
Michael Ian Black wears many hats. He's a stand-up comedian, a comedic actor, he's now a writer-director so he knew how to work with all of us. And furthermore, because so much of his career is based on improvisation he gave us the freedom to do that as well.
Rituparno Ghosh is a legendary director, and I happen to be a huge fan of his.
This site uses cookies to ensure you get the best experience. More info...
Got it!