A Quote by Javier Bardem

What does my performance have to do with Russell Crowe's? Nothing. If I play Gladiator and we all play Gladiator with Ridley Scott in the same amount of time, maybe we have a chance to see who did it best.
I read for 'Reservoir Dogs,' and it got down to me and Buscemi, and Quentin couldn't make up his mind. I really wanted that part, but Buscemi is great in that. I also got really close on 'Gladiator,' but Ridley Scott decided on Russell Crowe, who's perfect in it.
When an actor commits himself to a role as fully as Russell Crowe does in the grandiose and silly 'Gladiator,' you may ask yourself why and at the same time thank him for his absorption in the part.
You can't believe Russell Crowe is the same actor who won an Oscar one year ago for Gladiator.
If Russell Crowe says that he's Noah, he's Noah. You never doubt it. If he says that he's the Gladiator, he's the Gladiator. He's every character that he says he is. I've never doubted anything that he's done.
I loved 'Gladiator' when I was young. Russell Crowe was a big inspiration; the fact that he plays my father in 'Noah' was amazing.
I love Russell Crowe's line to Oliver Reed in 'Gladiator' where he asks him, 'Are you in danger of becoming a good man?' It's one of my favorite lines ever.
There have been things over the years that didn't work. 'Body Of Lies,' directed by Ridley Scott, which I did with Russell Crowe and Leonardo DiCaprio, is a really tight action thriller, but when it opened in the U.S. it was number two to 'Beverly Hills Chihuahua.'
I had this extraordinarily bizarre moment when, two Fridays ago, my missus gave birth to our second child at 11am and by the same time the following day I was sitting around a table with Ridley Scott, Russell Crowe and Leonardo DiCaprio in Rabat in Morocco, rehearsing a scene we were going to shoot the next day.
When I'm actually making a film and trying to find solutions, I like to watch making-of documentaries about huge films, like 'Gladiator.' That couldn't be more apart from what I'm doing, but you see Ridley Scott facing huge problems and fixing them.
In the world of animation, you can be anything you wanna be. If you're a fat woman, you can play a skinny princess. If you're short wimpy guy, you can play a tall gladiator. If you're a white man, you can play an Arabian prince. And if you're a black man, you can play a donkey or a zebra.
- How is he in bed? Gladiator or poet? - Hmmm... A poetic gladiator.
For documentaries, I think streaming plays an amazing role, but it's a problem when the one service you initially relied on to have an incredible buffet - 'Come and see a lot of world cinema, and the lives of ordinary people as well' - all of a sudden is narrowed down until it's just gladiator after gladiator - and bloodlust.
Ridley creates a very immersive world, so when you walk up to a Ridley Scott film set you're in Ridley Scott's imagination, and it's a really comfortable, cool place to be.
In fact, someone was telling me that Gladiator was the one film where Ridley Scott didn't take a producer's credit. And it won. But this guy changed the industry twice; with Aliens which was a whole new way of looking at things and Blade Runner that was also a whole new way of looking at things.
Ridley Scott - not that he shared it a lot, but you can just see that everything he did, Ridley always seemed to be just so clear. I love that about him.
Though I hunt for anything that is different, I am looking forward to play some historical characters and the role of Gladiator.
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