A Quote by Haile Gebrselassie

I wanted to be famous. I wanted people to talk about me. — © Haile Gebrselassie
I wanted to be famous. I wanted people to talk about me.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
There were some things I wanted to talk about. I wanted to talk about depression in public, I wanted to talk about being in the shadow of people I've dated and people I worked with publicly.
I was being trained because I wanted to be a preacher like my father. I wanted to talk about Moses; I wanted to talk about God... I wanted to talk about the apostles, the disciples and all that.
I wanted to have money; I wanted to be special; I wanted people to like me; I wanted to be famous.
After I read about Uganda's now famous "kill the gays" bill, I wanted to explore the religious forces behind it. As a gay man, I wanted to understand the folks who wanted to kill me and why.
I realized that I wanted a Rhodes Scholarship, not because I wanted to go to graduate school but because I wanted to win a famous award. Quitting forced me to realize I was on the wrong track and that I had lost touch with who I was and what I cared about.
I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
It's funny, because in 1970 I met the Beatles quite by a chance at a party. It was the Beethoven bicentenary, and I was then also playing the Beethoven Sonatas. And that's all they wanted to hear about - I wanted to talk about them, and all they wanted to talk about was Beethoven.
It was probably years before I was confident enough in stand-up that I was able to talk about the things I wanted to talk about, the way I wanted to talk about them.
We wanted to talk about death in the DC Universe, and how some people go to get a pass and come back, and some people didn't. That opened up a whole other topic about legacy. We wanted to talk about what was required to be a hero, what were the elements of true heroism?
Some people wanted to get rich or famous, but my friends and I wanted to get real. We wanted to get deep. (Also, I suppose, we wanted to get laid.)
Longing surged up within me. I wanted it. Oh God, I wanted it. I didn't want to hear Jerome chastise me for my "all lowlifes, all the time" seduction policy. I wanted to come home and tell someone about my day. I wanted to go out dancing on the weekends. I wanted to take vacations together. I wanted someone to hold me when I was upset, when the ups and downs of the world pushed me too far. I wanted someone to love.
Creating emotion was what my career was all about. I wanted people to laugh at me; I wanted people to cry with me. I wanted people to feel good or to think about something when they watched me. I think that's why, even not being an Olympic champion, I have such a huge following around the world.
I have a general feeling that writers and artists who are in this peculiar situation, of being a persecuted artist, all anyone ever asks about is the persecution. It may well be that's the last thing in the world they want to talk about. There were many years in which every journalist in the world wanted to talk to me, but nobody wanted to talk to me about my work. That felt deeply frustrating because I felt there was an attempt to stifle me as an artist. The best revenge I could have was to write.
I wanted to be successful enough that I'd have opportunities to talk about the church. I wanted people to listen whenever I talked about it.
I wanted to prove I wasn't that person everyone wanted to stereotype me. You can slag me off, I talk about my upbringing now and try and do it in a way that inspires others, but I never felt good about it.
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