A Quote by Hannah Kearney
I savored my time on top of the podium by watching the American flag rise up out of the crowd as the anthem played, thinking about how every single second of training I've done was for this minute and how many people played a role in my achievement.
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I remember seeing the Olympics when I was 13. I always wanted to know how it felt to stand on top of the podium hearing your country's anthem while watching your flag being raised in something you poured your heart and soul into.
You end up loving every character that you play but a lot of the people I've played, I should just say for myself, I played, I wouldn't necessarily want to continue playing them. I've done them. It's like going on a trip. You go, you're amazed, you're glad you're there but you're glad to get home. And that's how I feel most of the time.
I had been thinking about the question, "What do I love about America?" I kept coming back to this idea of community and home, which already obsessed me in my work. But I couldn't quite figure out how to lead beyond my immediate experience. Then I was just standing at the kitchen sink, and I watched the sun rise, and I thought, "How many hundreds of thousands of people are watching the same sun rise right now?" I just knew the poem would go from that line.
I've played American characters so many times now, it's so natural to me. But when I play American, I stay in the American accent from the minute I get the job till the minute I wrap.
We have to get the federal government out of the business of educating our kids and telling us how to do it. But when you look at how we are failing our kids and how the story that they hear about the United States and about the role we've played in the world and our role as the defender of freedom for millions across the world throughout history, you know, they aren't being prepared to stand up and work and fight and defend this nation.
How do you go on knowing that you will never again - not ever, ever - see the person you have loved? How do you survive a single hour, a single minute, a single second of that knowledge? How do you hold yourself together?
Learn to enjoy every minute of your life. Be happy now. Don't wait for something outside of yourself to make you happy in the future. Think how really precious is the time you have to spend, whether it's at work or with your family. Every minute should be enjoyed and savored.
Institutional Christianity has had clear secular benefits to American life for hundreds of years. It's played both a prophetic role in terms of generating moral critiques of American excesses, and so on, and also a communal role, in terms of building community as the country moved westward to the role my own Catholic Church played in assimilating generations of immigrants.
I hear all the time from our audience about how it's nice to see a positive African-American role model for the younger kids out there that are watching.
This movie [Don Jon] played at Sundance and South by Southwest and Berlin. And it just played - well...by the time it played at Toronto recently, it was already done. But getting to watch it with a thousand people is hugely informative.
I was thinking about how disjointedly time seemed to flow, passing in a blur at times, with single images standing out more clearly than others. And then, at other times, every second was significant, etched in my mind.
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
No matter how much you may want to think of Holdém as a card game played by people, in many respects it is even more valid to think of it as a game about people that happens to be played with cards.
I've always played every amp I've ever had full up, because rock and roll is supposed to be played loud. Also, that's how you get your sustain.
I played Othello, but I didn't sit around thinking how Laurence Olivier did it when he played it. That wouldn't do me any good.
My father actually moved out from Chicago just so he could play tennis 365 days a year, so it was - it was a place we played every day. We played before school. We played after school. We woke up. We played tennis. We brushed our teeth in that order.
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