A Quote by Hunter Hayes
There's something fun about the road because there's no 9 to 5. But I do find myself making the effort to take some time off. As much as I don't want to, I have to. I need to reset. I love weeks off, because I can go in the studio and just be creative again.
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Just because you have kids doesn't mean to say you need time off. I have a lot of time off anyway. If I'm promoting my book, like, for the next two weeks, I'm flat out. But then I'm off again. And when you've got the next product, it's the same; you just condense it into a couple of weeks.
If you end up spending more time in the studio than you do on the road, that's not a good balance for me. Because I think when you're in the studio, you need to come off the road and go in the studio and that's when you're applying your best. That's when you've got the best attitude, best energy, all that stuff.
There's something about the air and the sky and the atmosphere in the South of France that must be very conducive to work, to being creative, because I have written several of my books there. I find it so much easier because you're cut off. If you don't want to speak to anybody, basically they don't know where you are. And it's so beautiful.
The fact is when I get pissed off about something or something awful has happened, I just say, 'You know what? Thank you very much. Thank you for the lyrics. Because that is exactly what you just gave me.' There's no real negative then. So if something happens, I don't cry about it. I just find myself a pen and I figure it out.
There's all these people involved, and it becomes this huge machine - it stops being just me making my own little songs for myself, or for the world. And it's hard to stop the machine. If you want to take time to write a record, they're like, "OK, tour through March, April, and June, then you can take a few weeks off to record in July before getting back on the road for the European festival circuit." After a while, I had to put my foot down.
If it's just a pastime, keep doing it because it's relaxing and to blow off some steam. But if you're not sure if you want to do it, or you're thinking you can be famous, you shouldn't do it because you want to be famous. You have to do it because you love it and you want to play for people. And if that's what you want to do, then do it, but you can't go into it with that mindset of "we'll be in a band and we'll be famous."
I don't ever want to become Bill Maher where I have to find some strong opinion on something just because it's in the news. That's the guy that comes off like you have to be angry every week about new topics and snotty about something. That's what I'm trying to avoid.
You hear about things happening to people - they slip in the bathtub, fall down the stairs, step off the curb in London because they think that the cars come the other way - and they die. You feel you want to die making an effort at something; you don't want to die in some unnecessary way.
Ultimately you want to do something in life that people will remember. And with Buffy, I did that. I don't feel like I need to achieve something. I just do it because it's fun. And that takes the pressure off.
I think whatever is going on with my brain, I'm very, very - and I'm not saying this as a positive thing, it's just a fact - I'm very creative. I have a very strong imagination, and have since I was a little kid. That is where a lot of my world comes from. It's like I'm off somewhere else. And I can have a problem in life because of that, because I'm always off in some other world thinking about something else. It's constant.
In my off-time, I do record. Once in a while, I'll just go into the studio if there's a really good song that I have in my head and want to do. I think, as artists, you're constantly in creative motion. If I stopped writing songs, then that's a part of me that would stop in my life, and I need constant motion.
I was in Los Angeles. I saw the biggest ships you have ever seen with cars pouring off from Japan, into Los Angeles. Just pouring off these ships, and I am saying to myself, we send them beef, it's a tiny fraction, and, by the way, they don't even want it, they have to fight in order to take it in because they don't even want it, and it's very perishable, they'll send it back, they'll find reasons not to take it. And yet the ships, the boats, the ships are loaded up with cars, thousands of cars and they are just pouring off.
Because you know how you say I've got to really get down and really do some training and then of course, you never do or you do it for a couple of weeks and slough it back off again but I'm being forced to do something that I really want to do and I loved it.
Each time I?m coming out of my apartment I remember the quote of Coco Chanel; she said, ?Each time I?m leaving my apartment or my hotel, I?m looking at myself in the mirror and I take off one piece of my look. It?s always one thing too much.? And it?s a bit the same, always I take off my scarf or I take off my bag or jewellery because I like it simple. Coco Chanel is a great consultant I think.
It's so wide; that's what I love most about my career. It's been varied, and the music has been varied, because I find myself getting bored pretty easily. So for me, to work in the studio has been great. I didn't go on the road; I just worked on a different project every day, a different kind of music, and that's the challenge I love.
My problem is, whether it's for emotion or for the talents that a character has to have in a role, I find it very difficult to not take on a challenge. I need to say, "Okay, enough, take the easy road." But the easy road for me is not - it might just come out coincidentally. I wouldn't ever choose a movie because it's easy. I might choose a movie because I feel like being funny, or I feel like being able to do something that is perhaps dramatic, but to a lesser degree. Because I like switching it up, basically, not because I would take the easier road.
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