A Quote by Hunter Hayes
All I knew when I moved to Nashville was that I wanted to make music in whatever shape and form I could.
Related Quotes
I'm from Tullahoma, TN which is an hour south of Nashville, and I grew up and wanted to be like Garth Brooks, so I moved to Nashville when I was 18 to chase a dream.
When I was 15, my mom and I packed everything up and moved to Nashville so I could pursue my dream in music.
I knew I was ambitious; I knew I was passionate and that I wanted to change the world in some shape or form, but I had no idea what that might look like.
I moved to Nashville at 17 to make music, and since then I've put everything I have into doing it right.
I knew myself. I knew where I wanted to go in life. I wanted to be the very best I could be in whatever I pursued.
Sitting in the movie theater watching "Star Wars," I've never had an experience with any form of entertainment that was like that. It was almost spiritual. I couldn't believe that someone's mind created that. And, right, it felt like George Lucas had a piano that was playing my emotions, and he could go ahead and do whatever he wanted and make me lean forward if he wanted, or he could make me go oh, or he could make me hide my face.
Whatever had form or shape must be limited, and could not be eternal.
The brilliance here is appropriation: space, form and interface combine to create a Jetsons sound machine. A dream of music access that just hovers, its floating defines a space. The shape seems so obviously sci-fi, but fresh. The function could follow the form. The shape is beautiful and functional-which hits both of the pillars of American Needs right on the head.
I knew what I wanted to be, but I didn't know exactly how to get there. I thought you move to Nashville, you sing downtown, and someone discovers you, and you become a country music star. I had no idea.
I was born first to music. But I went into acting because my father knew so much about music he intimidated me. So, I picked an art form, he knew nothing about. So I could be my own man.
We left our homes and moved to Nashville as teenagers, and suddenly, we were on our own. We knew all we wanted to do in the world was write and sing... and the only way that would happen would be to jump, but you still get scared or sure you've done a dumb thing.
We were one of the hottest bands in Jersey, but I was burning up because I knew I'd never be a star in Newark. I knew the action was in Nashville and that's where I wanted to be.
Nobody wanted to be in business with Death Row because, unfortunately, they felt there was an element there that could be dangerous. But I just knew they had great music and that they were a bunch of guys who wanted to make it out of the ghetto. That's something I can understand.
One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived here, the hardest thing to go out and hear was country music. Country was taking place inside the studio and it was an export.
In 1985, I went to work for MTM Records, Mary Tyler Moore's Nashville record label, and stayed three years. After that, I spent two years as an independent promoter, then worked for MCA Nashville Records, DreamWorks Nashville, and Universal Music Nashville.
I love soul music, that's my real love in life and in whatever shape or form it is.
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