A Quote by Hari Kondabolu

I'd love for someone to ask me about comedic technique and choices. — © Hari Kondabolu
I'd love for someone to ask me about comedic technique and choices.
When I got to 'The Daily Show,' they asked me to have a political opinion. It turned out that I had one, but I didn't realize quite how liberal I was until I was asked to make passionate comedic choices as opposed to necessarily successful comedic choices.
I didn't realize quite how liberal I was until I was asked to make passionate comedic choices as opposed to necessarily successful comedic choices.
It would be cool for someone to ask me about some of the structural choices I make with my albums.
I want people to ask me how I feel about the world, or what is my day about, and ask me a question that's not just related to food, but that's related to me being a person: Someone that's vulnerable, someone that has ideas and someone that wants to learn more.
Ask not of me, love, what is love? Ask what is good of God above; Ask of the great sun what is light; Ask what is darkness of the night; Ask sin of what may be forgiven; Ask what is happiness of heaven; Ask what is folly of the crowd; Ask what is fashion of the shroud; Ask what is sweetness of thy kiss; Ask of thyself what beauty is.
There’s got to be someone for me. It’s not too much to ask. Just someone to be with. Someone to love. Someone to give everything to. Someone.
For me, the most interesting people are ones who often work against their best interests. Bad choices. They go in directions where you go, 'No no no nooo!' You push away someone who is trying to love you, you hurt someone who's trying to get your trust, or you love someone you shouldn't.
I've come to learn that the choices I labor over and go back and forth about and ask a million people for their opinions and make lists about... those are always the wrong choices.
I've come to learn that the choices I labor over and go back and forth about and ask a million people for their opinions and make lists about those are always the wrong choices.
When you meet someone, ask about what hobby they have, not what they do. People always ask me about cooking, but I prefer to talk about tennis or boxing.
The simplest spiritual discipline is some degree of solitude and silence. But it's the hardest, because none of us want to be with someone we don't love. Besides that, we invariably feel bored with ourselves, and all of our loneliness comes to the surface.We won't have the courage to go into that terrifying place without Love to protect us and lead us, without the light and love of God overriding our own self-doubt. Such silence is the most spacious and empowering technique in the world, yet it's not a technique at all. It's precisely the refusal of all technique.
They say true love only comes around once and you have to hold out and be strong until then. I have been waiting. I have been searching. I am a man under the moon, walking the streets of earth until dawn. There's got to be someone for me. It's not too much to ask. Just someone to be with. Someone to love. Someone to give everything to. Someone.
Technique to me is a kind of a ... I'm reluctant to talk about it because it seems so obvious to me what good technique is. I mean, you sit down, you shut up, and you pay attention is basically the good technique. And then the footnotes add; on an empty stomach, in a dark room, feeling comfortable.
I'm a comedic actor, not to mix words, but it's something I think about. A comedic actor. I like to think that Christopher Guest, Phil Hartman, Peter Sellers and Alec Guinness are comedic actors. And Dan Aykroyd, too. Those are my heroes.
"Please... don't ask me to go with you, because if you do, I'll go. Please don't ask me to tell Frank about us, because I'll do that, too. Please don't ask me to give up my responsibilities or break up my family"... "I love you, and if you love me, too, then you just can't ask me to do these things. Because I don't trust myself enough to say no."
I've studied a technique called the Sanford Miesner technique, that teaches you how to focus. It's mainly about daydreaming. And the technique's really about imaginary circumstances. Using your imagination to sort of daydream about stuff. It makes you emotional in a scene.
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