A Quote by Harlan Howard

I take a whole life story and compress it into three minutes. — © Harlan Howard
I take a whole life story and compress it into three minutes.
I take 10 minutes. I focus on what I'm most grateful for. Then I do a little prayer for three minutes, a blessing within myself through God, and then out to my family and friends and all those I serve. Then my last three minutes are the three things I want to achieve most. At the end of 10 minutes, you are wired. Everything in your life gets filtered through that.
I love to be able to tell a whole story in three-and-half minutes.
The craft, the writing of a song, is about creating a story, a life story, a world within three minutes, but that's the frame, if you like, the picture frame. That fascinates me.
'Cause a musician, you can't tell me, "I've got this message I want share with the public," and it's three-and-a-half minutes long. That's not it. If your message is only three-and-a-half minutes long, then we got nothing else to talk about. Because life is more complex than three-and-a-half minutes.
You read about these oyster-shucking contests: Somebody did 100 oysters in three minutes, three seconds. I'm lucky if I can open one in three minutes, three seconds.
I recommend to you to take care of the minutes; for hours will take care of themselves. I am very sure, that many people lose two or three hours every day, by not taking care of the minutes.
I meet a person, and in my mind I'm saying three minutes; I give you three minutes to show me the spark.
If a piece of music is under three minutes long, it's rock. Over three minutes, it's classical.
If I play two minutes, three minutes, 20 minutes, it don't matter to me. As long as we win.
To write it, it took three months; to conceive it three minutes; to collect the data in it all my life.
There should be a whole book written about that one word: country. What does that mean, country? It's such a huge umbrella. I would hope that what makes it country is that it all starts with a song. The story being told in three and a half minutes that is not being told on another station.
The perfect story is one you can retell in three minutes, and every single sentence is interesting.
The last great unknown, in terms of physiological training, is the optimum length of a piece. Is three minutes enough? Is ten minutes too much? No one knows. Perhaps someday the question will be answered-we'll find out that thirteen minutes is the perfect length for a training piece when preparing for a 2000 meter race. Until then, coaches will continue exploring the whole scale, up and down, from thirty seconds to sixty minutes and more, in hopes of capturing the optimum time.
On an awards-show day, I can play basketball, go in, take a shower and put on a tux - it takes me three minutes to put on a tux - and be out the door in 15 minutes.
The way that I work as an actress, I always prefer to read the whole story and tell the whole story and feel what the whole story's going to be, the journey for the audience and how it ebbs and flows, the highs and the lows.
The present rearranges the past. We never tell the story whole because a life isn't a story; it's a whole Milky Way of events and we are forever picking out constellations from it to fit who and where we are.
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