A Quote by Haroon Moghul
There are three stories that are foundational to the Islamic narrative in which women, and in two of the three cases, single women, are not just part of the story. They're at the very center of the story. Yet, that is not something that you would imagine to be true if you survey the Muslim world from the outside or from the inside. Part of the reason is that we don't really take our text seriously. We don't take our stories seriously. We're almost afraid of thinking complicated thoughts.
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The desire for story is very, very deep in human beings. We are the only creature in the world that does this; we are the only creature that tells stories, and sometimes those are true stories and sometimes those are made up stories. Then there are the larger stories, the grand narratives that we live in, which are things like nation and family and clan and so on. Those stories are considered to be treated reverentially. They need to be part of the way in which we conduct the discourse of our lives and to prevent people from doing something very damaging to human nature.
To me the early childhood story is an ecumenical one. You take poverty seriously. You take seriously maternal depression. You take seriously children under stress and you take seriously the effects of extended hours participation in poor quality care. Those are the facts I begin with.
It was the first time I worked with Matthew McConaughey [in the True Detective].They're fun guys [with Woody Harrelson]. They don't take life at all too seriously, but yet they take their work very seriously. And both of them are just so committed to character and the story.
'Monkeys' is made up of nine short stories that tell an overall story. 'Folly' is a series of vignettes all put together to tell a larger story. In 'Lust and Other Stories,' there are nine stories - three, three, three; the beginnings of love, the middles, and the afters.
I'm drawn to female stories, of which there aren't that many, and particularly to stories now about older women. The things they have to confront and override is really fascinating. That's a whole untold part of our world.
One of the remarkable qualities of the story is that it creates space. We can dwell in a story, walk around, find our own place. The story confronts but does not oppress; the story inspires but does not manipulate. The story invites us to an encounter, a dialogue, a mutual sharing. As long as we have stories to tell to each other there is hope. As long as we can remind each other of the lives of men and women in whom the love of God becomes manifest, there is reason to move forward to new land in which new stories are hidden.
I don't make crappy movies. I spend two or three years making a film. I don't take myself seriously, but I take my movies very seriously.
There are no happy endings... There are no endings, happy or otherwise. We all have our own stories which are just part of the one Story that binds both this world and Faerie. Sometimes we step into each others stories - perhaps just for a few minutes, perhaps for years - and then we step out of them again. But all the while, the Story just goes on.
Stories are people. I'm a story, you're a story ... your father is a story. Our stories go in every direction, but sometimes, if we're lucky, our stories join into one, and for a while, we're less alone.
When calling for authenticity, we need to take seriously the brokenness and sinfulness of the human heart. If to be authentic means to be who we really are or to express what we really feel, then in most cases I’m going to vote for hypocrisy. Our prisons are filled with men and women who acted on their feelings and impulses. If authenticity is about being true to yourself, these individuals should be our models of inspiration.
If you have sensitivity then mysticism will be part of your life. It's a very beautiful thing and a very real thing but it's not something to not take seriously and it's not something to take seriously.
It's something I take very seriously as a commander: the lives of our young men and women.
I want to be taken seriously as the type of musician that plays stuff like an electric rake. I mean, how seriously do you take someone like Spike Jones? They take him pretty seriously - a really good musician who made a great contribution in terms of humor, which is part of what I try to do too.
There is no way that you can read the entire Bible seriously and take every word literally. Contradictions start in the first chapter of Genesis. There are two Creation stories, two stories of the making of Adam and Eve. And that is all right. The Bible is still true.
Neither novels or their readers benefit from any attempts to divine whether any facts hide inside a story. Such efforts attack the very idea that made-up stories can matter, which is sort of the foundational assumption of our species.
As a woman, I have tried to take advantage of the extra access I have in the Muslim world: with Muslim women, for example. Many people underestimate women in that part of the world because, typically, they don't work.
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