A Quote by Hasan Minhaj

My biggest inspiration is black America and what they've done in the arts. I have always felt like an outsider in America, and what black Americans have done to add their chapter to this book called the American dream, and to be so unapologetic and true, and have added so much to art and culture in the world.
My biggest inspiration is black America and what they've done in the arts. I have always felt like an outsider in America, and what black Americans have done to add their chapter to this book called the American dream, and to be so unapologetic and true, and have added so much to art and culture in the world. Some of the greatest inspirations in my life have been black Americans. And I just wanted to say thank you. They've been a huge inspiration, to myself and this country.
I feel like we have so much to add to this book called the American Dream, and I want to add our chapter to it. I want to talk about what it means to be brown American and this concept of what I feel is the New Brown America.
There's always opposition when you speak on topics like I'm speaking on. But I'm a black man in America. I grew up black in America. You can't tell me that what I've experienced and what I've seen is not true.
'America's Dad' is what we called Bill Cosby. And we called him that because, well, what a revolutionary way to put it. Through him, we were thumbing our noses at the long, dreary history for black men in America by elevating this one to a paternal Olympus. In the 1980s, he made the black American family seem 'just like us.'
There is a problem in America. An Irish or Polish American can write a story and it's an American story. When a Black American writes a story, it's called a Black story. I take exception to that. Every artist has articulated to his own experience. The problem is that some people do not see Blacks as Americans.
I like America; I enjoy being there. Some people can't stand the insincerity - I love the waiter asking me how my day has been, the can-do culture there. I love the fact that again, you are visible in America. You turn the TV on, there are black politicians, black policemen, black soldiers.
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
When the Kerner Commission told white America what black America has always known, that prejudice and hatred built the nation’s slums, maintains them and profits by them, white America could not believe it. But it is true. Unless we start to fight and defeat the enemies in our own country, poverty and racism, and make our talk of equality and opportunity ring true, we are exposed in the eyes of the world as hypocrites when we talk about making people free - (Chapter 9).
I was adopted my black Americans, I feel that I'm a 'Hybrid'. When I'm around Africans'I suddenly feel very black American. And when I'm around black Americans'I feel very North African. North Africa and black America are both the creators of Kola Boof.
America don't have no future! America's going to be destroyed! Allah's going to divinely chastise America! Violence, crimes, earthquakes - there's gonna be all kinds of trouble. America's going to pay for all its lynchings and killings of slaves and what it's done to black people.
I did not disregard my culture, if I did, it was the white American culture, and I accepted my true culture, when I accepted Mohammed Ali, because this is a black name, Islam is the black man's religion, and so I would like to say, that I would like to clarify that point that I reclaimed my real culture, and that's being a black man and wearing a black name with a black body, and not a white name, so I would never say that I didn't disown my culture.
The first thing that always pops into my head regarding our president, is that all of the people who are setting up this barrier for him... They just conveniently forget that Barack had a mama, and she was white - very white; American, Kansas, middle of America. There is no argument about who he is, or what he is. America's first black president hasn't arisen yet. He's not America's first black president. He's America's first mixed-race president.
The black man in North America was sickest of all politically. He let the white man divide him into such foolishness as considering himself a black 'Democrat,' a black 'Republican,' a black 'Conservative,' or a black 'Liberal' ...when a ten-million black vote bloc could be the deciding balance of power in American politics, because the white man's vote is almost always evenly divided.
Government should allow people to go out and do the things Americans have always done, create jobs and prosperity. And America's role in the world - the world is a safer and better place when America is the strongest country in the world.
I always felt like an outsider to the music world in a certain way. There was so much less of an art culture in L.A. - and particularly in the South Bay.
What would America be like if we loved black people as much as we loved black culture?
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