A Quote by Helen Keller

There is plenty of courage among us for the abstract, but not for the concrete. — © Helen Keller
There is plenty of courage among us for the abstract, but not for the concrete.
You have plenty of courage, I am sure," answered Oz. "All you need is confidence in yourself. There is no living thing that is not afraid when it faces danger. The true courage is in facing danger when you are afraid, and that kind of courage you have in plenty.
Compared with men, it is probable that brutes neither attend to abstract characters, nor have associations by similarity. Their thoughts probably pass from one concrete object to its habitual concrete successor far more uniformly than is the case with us. In other words, their associations of ideas are almost exclusively by contiguity. So far, however, as any brute might think by abstract characters instead of by association of con cretes, he would have to be admitted to be a reasoner in the true human sense. How far this may take place is quite uncertain.
Abstract words such as glory, honor, courage, or hallow were obscene beside the concrete names of villages, the numbers of roads, the names of rivers, the numbers of regiments and the dates.
We speak of concrete and not abstract painting because nothing is more concrete, more real than a line, a color, a surface.
When needs and means become abstract in quality, abstraction is also a character of the reciprocal relation of individuals to oneanother. This abstract character, universality, is the character of being recognized and is the moment which makes concrete, i.e. social, the isolated and abstract needs and their ways and means of satisfaction.
I like using concrete imagery, but I don't feel that's what it's about. It's a combination of concrete and abstract to take the listener somewhere they know better than you. That's true for music, seeing a painting, watching a movie... it's all some kind of an escape.
To me, a story can be both concrete and abstract, or a concrete story can hold abstractions. And abstractions are things that really can't be said so well with words.
The abstract kills, the concrete saves.
I try to make concrete that which is abstract.
Whitman was Emerson translated from the abstract into the concrete.
A decline in courage may be the most striking feature that an outside observer notices in the West today. The Western world has lost its civic courage . . . . Such a decline in courage is particularly noticeable among the ruling and intellectual elite, causing an impression of a loss of courage by the entire society.
In the abstract conception of universal wrong, all concrete responsibility vanishes.
In a clown, we see what we do that makes us laugh and cry. I kept the white face, the tradition of the Pierrot. My clown became a romantic and stylized figure. I wanted to be an abstract and concrete figure, a symbol of humanity.
Every concrete object has abstract value, is timeless in the dream parallel.
Evil is the product of the ability of humans to make abstract that which is concrete.
Listen to us rather than to Arkady Mamontov talking about us. Don't twist and distort everything we say. Let us enter into dialogue and contact with the country, which is ours too, not just Putin's and the Patriarch's. Like Solzhenitsyn, I believe that in the end, words will crush concrete. Solzhenitsyn wrote, "the word is more sincere than concrete, so words are not trifles. Once noble people mobilize, their words will crush concrete."
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