A Quote by Helen Keller

I, who cannot see, find hundreds of things to interest me through mere touch. I feel the delicate symmetry of a leaf. I pass my hands lovingly about the smooth skin of a silver birch, or the rough shaggy bark of a pine.
I became intensely aware of the being-ness of trees. The feel of rough sun-warmed bark of an ancient forest giant, or the cool, smooth skin of a young and eager sapling, gave me a strange, intuitive sense of the sap as it was sucked up by unseen roots and drawn up to the very tips of the branches, high overhead.
I felt overstuffed and dull and disappointed, the way I always do the day after Christmas, as if whatever it was the pine boughs and the candles and the silver and gilt-ribboned presents and the birch-log fires and the Christmas turkey and the carols at the piano promised never came to pass.
The silver-leaved birch retains in its old age a soft bark; there are some such men.
There is a hill beside the silver Thames, Shady with birch and beech and odorous pine; And brilliant underfoot with thousand gems, Steeply the thickets to his floods decline.
Is it not love that knows how to make smooth things rough and rough things smooth?
For in the wood these golden days Some leaf obeys its Maker's call. And through their hollow aisles it plays With delicate touch the prelude of the Fall.
The birch-bark canoe of the savage seems to me one of the most beautiful and perfect things of the kind constructed by human art.
I'm trying to find peace in the world, as it is. I'm feeling this sort of slow stripping of my mind, like the layers of an onion. I'm starting to see through all these little structures that have been imposed on me by my society that tell me how I'm supposed to view my life and the world. What I'm supposed to find to be important and what is not. Sometimes you see through so much of it that you feel like you're just a leaf blowing on the wind.
So crucify the ego, before its far too late To leave behind this place so negative and blind and cynical, And you will come to find that we are all one mind Capable of all thats imagined and all conceivable. Just let the light touch you And let the words spill through And let them pass right through Bringing out our hope and reason ... before we pine away.
Things I can feel. Hard. Soft. Rough. Smooth. But the inside kind of feel, it is all the same, like foggy mush. Is that the part of me that is still asleep? (9)
Return often and take me, beloved sensation, return and take me - When memory of the body awakens, and old desire again runs through the blood; when the lips and skin remember, and the hands feel as if they touch again.
We never look deeply into the quality of a tree; we never really touch it, feel its solidity, its rough bark, and hear the sound that is part of the tree. Not the sound of wind through the leaves, not the breeze of a morning that flutters the leaves, but its own sound, the sound of the trunk and the silent sound of the roots.
She looked at a silver birch: it would have a soft, showery voice and would look like a slender girl, with hair blown all about her face and fond of dancing. She looked at the oak: he would be a wizened, but hearty, old man with a frizzled beard and warts on his fact and hands, with hair growing out of the warts. She looked at the beech under which she was standing. Ah! --she would be the best of all. She would be a gracious goddess, smooth and stately, the Lady of the Wood.
My characters are more like men than these real men are, see. They're rough and rude, they got hands and they got bellies. They hate and they lust; break the skin of civilization and you find the ape, roaring and red-handed.
In a true you-and-I relationship, we are present mindfully, nonintrusively, the way we are present with things in nature.We do not tell a birch tree it should be more like an elm. We face it with no agenda, only an appreciation that becomes participation: 'I love looking at this birch' becomes 'I am this birch' and then 'I and this birch are opening to a mystery that transcends and holds us both.
Once, when I was about eight, my mum handed me a sandwich, and I remarked: 'What are those weird things on your hands?' I was referring to the visible pores, which were such a contrast to my own alabaster-smooth skin. My mum looked mortified, while my grandma laughed and said: 'They're nothing - look at mine!'
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