A Quote by Helen Keller
Death is no more than passing from one room into another. But there's a difference for me, you know. Because in that other room I shall be able to see.
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Death is no more than passing from one room into another.
What I see is trying to make sure that everybody thinks you have more than what you actually have. What’s the point if you actually don’t have it? If you don’t have it, then you don’t have it. Have what you have. Enjoy that . . . The craft is everything. Don’t be afraid of not being the wealthiest person in the room. Be the smartest person in the room. Be the slickest person in the room. Be the most creative person in the room. Be the most entertaining person in the room. Just be in the room.
My attitude about death is, going into the next room, and it's a room that the rest of us can't get into because we don't have the key. But when we do get the key, we'll go in there, and we'll see one another again, in some shape or form or whatever. It's not the end.
You know what, I think maybe it's because men like to fart, and the host wants to be able to sit in his writers' room and just pass gas freely. Me, I'm a lady. I'm dainty. I know to get up and leave the room and go to my office.
There are many nations that have perfected a particular room. You know, you have the French drawing-room, the Austrian ball room, the German dining room, and I think the library is a room the English get right.
Let me tell you, 10,000 is an intimate room. Believe me. I want to be able to connect to everybody in the room, and you can't with a venue any bigger than that.
O kindle the fire of happiness ! Therein I shall see The door of friendliness, The room of greatness And the palace of godness. I shall see, I shall see.
Death to a good man is but passing through a dark entry, out of one little dusky room of his Father's house into another that is fair and large, lightsome and glorious, and divinely entertaining.
I walk into a large white room. It's a dance studio in midtown Manhattan. The room is clean, virtually spotless if you don’t count the thousands of skid marks and footprints left there by dancers rehearsing. Other than the mirrors, the boom box, the skid marks, and me, the room is empty.
We moved wordlessly from one room to another, from the room of the dead to the room where time lay in pages everywhere I looked.
People believe that there's no room for change, there's no room to grow and if we're talking about this idea of God which is the infinite then there's no way that there's no room to grow because infinity is endless. So there must be more room to understand more and to evolve the way we think about this idea.
Auditioning is a funny one. It's all about energy. If you walk into a room and the room feels off or the people feel off, that can set you off. If the room is very small. I know which casting directors I should go to, because the place is conducive to doing a good job and the people are conducive and I know the other ones aren't, in which case I send in a tape.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
What can you do when you don't fit in? What can you do when life seems to be passing you by?" "Follow me. I want to show you something. See the horizon over there? See how big this world is? See how much room there is for everybody? Have you ever seen any other worlds?" "No." "As far as you know, this is the only world there is, right?" "Right." "There are no other worlds for you to live in, right?" "Right." "You were born to live in this world, right?" "Right." "WELL LIVE IN IT THEN! Five cents please.
You can get in front of the media and say, 'Yeah, I'm working hard.' You can't do it in front of those other 52 guys in the locker room. You can't fool your teammates, because they see you. They see you every day, and they see you more than your family sees you.
Working in television it's really great to be able to stick with a character for a long period of time. It's not like you have one shot, and that's it. You have more time, more room, an ability to reflect on your performance and the character and how much has really been shown, and what you'd like to see. It's nice. You have more breathing room.
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