A Quote by Helen Mirren

You know, he [Alan Rickman] played these very reserved, sometimes-cold, sometimes-threatening characters on the screen, but the reality of the man was incredible warmth and humor and generosity and wicked fun.
Alan Rickman told me to do a play, so I did. Because when Alan Rickman tells you do something, you go and do it.
Alan Rickman has a huge presence in the Perfume: The Story Of A Murderer and takes an enormous amount of space with no effort. I wanted somebody to leave behind a strong impact and be a threat for Grenouille. When Alan takes to the screen, we immediately know there's an intelligent, instinctive and powerful force, so if he's pursuing our main guy then our main guy is in trouble.
I think bringing depth to characters means really needing to find out who this girl is, what is she passionate about, what makes her tick, what gets her going in life. So I did a lot of backstory for who she was and sometimes it comes across screen and sometimes it doesn't. You never know, because you're not the director, but you can only do your work and hope that it somehow subtly is infiltrated in that. But I think the characters I've played for the most part have depth, just not in the way that you think they do.
I like Bret Easton Ellis' sense of humor. I feel like mine is sometimes similar to his. And how his characters sometimes seem really confused in a humorous manner. I like that. And I have that sometimes in my characters.
With that incredible voice that he [Alan Rickman] could play like a sort of wonderful instrument, like a cello or something. He played his voice, and he could be the most subtle of actors. And he could also be quite a big actor. He could do the grandiose performances as well.
How I shall miss Alan Rickman, his beautiful command of English, and a voice he played like a musical instrument.
In TV, you look to make characters consistent, but in real life, we're not consistent. Sometimes we're brave, and sometimes we're not. Sometimes we're very aggressive, and sometimes we back right down.
The nature of acting is that one is many characters and jumps from one skin to another as a way of life. Sometimes it's hard to know exactly what all of your characters think at the same time. Sometimes one of my characters overrules one of my other characters. I'm trying to get them all to harmonize. It's a hell of a job. It's like driving a coach.
Good-humor will sometimes conquer ill-humor, but ill-humor will conquer it oftener; and for this plain reason, good-humor must operate on generosity, ill-humor on meanness.
When Alan Rickman, a dear friend of mine, played villains, he always made it complicated. He didn't redeem what they did, but he made you feel that it was hard for them to be so horrible.
When you had the fangs in, you wanted to be a little bit careful that you didn't actually pierce the jugular, kind of like my experience shaving Alan Rickman, which by the way neither of us want to do again, especially Alan.
When I played Robin Hood, I knew the great role was Alan Rickman's and it didn't bother me. I always think that leading actors should be called the best supporting actors.
Nirvana manifests as ease, as love, as connectedness, as generosity, as clarity, as unshakable freedom. This isn’t watering down nirvana. This is the reality of liberation that we can experience, sometimes in a moment and sometimes in transformative ways that change our entire life
When I first met Alan, I was absolutely terrified. I was 19, he was Alan Rickman, and he's got that voice, and I remember meeting him in the hair and make-up trailer and thinking, 'I'm going to die. He thinks I'm rubbish. Why am I here?'
You can get through very serious and sometimes horrible and sometimes embarrassing and very awkward situations with humor. It gives us a way out.
Being cold for a short period of time is not life-threatening. You can perform a task when you're cold. We proved that when the Vikings played outside.
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