A Quote by Helen Mirren

There isn't a King Lear for women, or a Henry V, or a Richard III. You reach a level where you can handle that stuff technically and mentally, and it's not there. — © Helen Mirren
There isn't a King Lear for women, or a Henry V, or a Richard III. You reach a level where you can handle that stuff technically and mentally, and it's not there.
It took a while to decide I wanted to do Hamlet. It wasn't that I was daunted - I'd been acting professionally since my mid-20s and had some pretty big Shakespearean roles under my belt by that stage, at 32: Petruchio in 'The Taming of the Shrew,' Edgar in 'King Lear,' Antony, Richard III. But when it came to Hamlet, I hesitated.
King Lear by William Shakespeare frightens me. I've never done King Lear, I guess partially because my father dwindled into dementia in his last years and King Lear is such an accurate portrayal of a father figure suffering from dementia - the play was almost intolerable for me.
I've played almost every lead character from Henry VI to Othello. I'm dying to tackle Richard III sometime.
It is evident that Qaddafi is mentally unwell. Like Richard III, he has barricaded himself within lies.
Francis Underwood was entirely based on Richard III. When Michael Dobbs wrote 'House of Cards' in the original British series, Richard III is what he based the character on.
I guess if they ever do a remake of 'Sophie's Choice,' I could play the Meryl Streep part. I've got to work on my Polish accent. Maybe I'll be the definitive King Lear one day. You know, if they ever feel that King Lear should be more Jewy.
The 16th-century theatre witnessed the particularly English manifestation of 'the history play.' There can be no doubt that Shakespeare's presentations of 'Henry V' and 'Richard III' have been incalculably more influential than any more sober historical study.
Thierry Henry is Thierry Henry. I still have everything to prove. By continuing to work, I will try to reach his level, but I am still very far off.
A couple of clues came my way of what I might be getting myself into when I sat down with a number of actors who had played Richard III in the past. And I was hoping of course, that one of them or all of them were gonna give me the magic key, the secret way in to play Richard III but none of them did that.But every one of them did say the following, "Be careful."
King Lear is undoubtedly the greatest play ever written by Shakespeare - or anybody else for that matter. Hamlet is certainly great, but it doesn't contain as many elements of humanity as we see in Lear.
I used to think 'King Lear' was an analysis of insanity, but I don't really think it is. When Lear is supposed to be at his most insane, he is actually understanding the world for the first time.
Patrick Henry aligned himself against ratification. So did Richard Henry Lee.
When you're playing King Lear, you have to have a little humour, or you will have no tragedy when the king dies.
Any older actor knows the last great mountain to climb is to play King Lear and now, if I ever play Lear, I will have done the pre-preparation because I had to go into the play and read it over and over again.
On some occasions, it is every footballer's dream to play for the national team, but if you don't reach it, you always need to work harder to reach a higher level, a level you wouldn't reach if you didn't have this as a goal.
You get Don King's point of view in what is almost a Shakespearean, classical technique. He comes across almost like a lovable rogue, like Iago in 'Othello' or Richard III. He's doing all these bad things, but I kind of like him. It's like 'Pulp Fiction': Everybody's a bad guy, yet you like them.
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