A Quote by Helen Mirren

I prefer the finesse of French humour. English humour is more scathing, more cruel, as illustrated by Monty Python and Little Britain. — © Helen Mirren
I prefer the finesse of French humour. English humour is more scathing, more cruel, as illustrated by Monty Python and Little Britain.
I have a weird sense of humour. My dad's the same. We love watching 'Monty Python' together.
British humour is very cruel. It's my favourite kind of humour; if it isn't cruel and funny it doesn't really cut the cake for me.
I think British humour is very cruel, and gay humour is very cruel. I think the two go hand-in-hand and that's why they mix so well in England. I think that's why you get so many gay comedians in England that are accepted so well because British humour is very cruel. I love it.
The true and lasting genius of humour does not drag you thus to boxes labelled 'pathos,' 'humour,' and show you all the mechanism of the inimitable puppets that are going to perform. How I used to laugh at Simon Tapperwit, and the Wellers, and a host more! But I can't do it now somehow; and time, it seems to me, is the true test of humour. It must be antiseptic.
People still talk about a British sense of humour, or French slapstick or how the Germans have no sense of humour - and it's just rubbish. I do strongly feel that we are all the bloody same.
The English take everything with an exquisite sense of humour. They are only offended if you tell them that they have no sense of humour.
I like musicals that are sometimes comedic, but I haven't even seen the Monty Python musical, and I'm a huge Monty Python fan.
At the end of Season Four of 'Mr. Show,' instead of doing another season, everyone just thought they wanted to go and do a movie. Kind of like Monty Python. Monty Python went right into 'And Now For Something Completely Different,' and everyone kind of compared 'Mr. Show' to Monty Python.
I love the humor of 'Monty Python.' I always remember being so impressed by how violent 'Monty Python' are, actually, when you look at what they do. Terry Gilliam has a great way of kind of proposing violence.
It was not possible for us to produce the same optimism and the same kind of humour or irony. Actually, it was not irony. Lichtenstein is not ironic but he does have a special kind of humour. That's how I could describe it: humour and optimism. For Polke and me, everything was more fragmented. But how it was broken up is hard to describe.
You hear people talking about a Scottish sense of humour, or a Glaswegian sense of humour, all sorts of countries and cities think that they've got this thing that they're funny. I read about the Liverpudlian sense of humour and I was like, 'Aye? What's that then?' You get that and you especially hear about a dark Glaswegian sense of humour.
Monty Python: A documentary series on everyday life in Great Britain.
The British have turned their sense of humour into a national virtue. It is odd, because through much of history, humour has been considered cheap, and laughter something for the lower orders. But British aristocrats didn't care a damn about what people thought of them, so they made humour acceptable.
It's so easy as a child to identify with 'Winnie-the-Pooh.' The humour doesn't talk down at you. It's a very grown up humour - a little bit ironic, a bit self deprecating.
All Dickens's humour couldn't save Dickens, save him from his overcrowded life, its sordid and neurotic central tragedy and its premature collapse. But Dickens's humour, and all such humour, has saved or at least greatly served the world.
Missing out on 'Monty Python' was a real blow at the time. I sometimes wonder how things would have been different if I had been invited to join 'Monty Python,' but as the saying goes, one door closes, another opens.
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