A Quote by Helen Fielding
I'd always hoped to write the story as a novel, but there was a long period when the [Bridget Jones's Baby: The Diaries] movie was stalled and in confusion. I felt frustrated creatively, and just couldn't work on the Baby material till the movie was sorted out.
Related Quotes
More than two years after Mad About the Boy was published, the [Bridget Jones's Baby: The Diaries ] movie started coming together. I felt better about the material, and found myself writing a letter from Bridget to her son: explaining the original story of how he came to be, from his own Mum.
I got into my usual obsessive writing frenzy, using all the material I'd worked on for so long and crafting it into a little novel [Bridget Jones's Baby: The Diaries].
I'd been working on the [Bridget Jones's Baby: The Diaries material] for years, first, in the Independent newspaper columns and then in the various versions of the movie scripts.
With so many dark things to worry about in the world right now, I hope people will just go with the fun and enjoy [ Bridget Jones's Baby: The Diaries].
Though with Bridget Jones's Baby: the Diaries, I'd like to make it clear that I did not ever get pregnant by two men.
As Bridget writes to her son, in Bridget Jones' Baby - "if you just keep calm and keep your spirits up, things have a habit of turning out all right, just as they did for me."
That's when the idea for Mad About the Boy arrived. It wasn't even a Bridget [Jones] story initially - then I realized I was writing in Bridget's voice and it grew from there into a Bridget novel.
'Rosemary's Baby' is still one of my favorite movies of all time. The idea of her being impregnated with the devil is just so frightening. I'm actually going to work on a movie in February, called 'Mercy,' from Jason Blum, who produced the 'Paranormal Activity' movies, and there is a similar theme to 'Rosemary's Baby' in the movie.
In Hollywood, whenever you do anything, it seems like there's going to be 30 of them. When I did 'Look Who's Talking,' people went: 'Oh but there's going to be this baby movie and that baby movie.' I can't worry about that. I can only do what I want to do.
Bridget Jones' Baby, at heart is about the gap between how you expect life to turn out and how it actually does.
Each time I write a new piece, whether a novel, a picture book, a speech or anything, really, it has so much to do with what I'm going through personally or a problem I'm trying to work out. When I wrote my novel 'Baby,' my three children had all just gone out the door.
A live action movie is work, and an animated movie is you showing up in your pajamas once every three months, or in my case, just a splash of baby powder. It's not any kind of heavy lifting.
It was failing part of my Ph.D. that led me into novel-writing. By then I was 29, had remarried and had a second baby. It struck me that I'd lost my path in life and I felt frustrated. That's when I started to write.
Certainly, black horror movie fans have, you know, been particularly vocal. I mean, there's the whole Eddie Murphy routine about, you know, black people in a horror movie wouldn't last very long. Right? They just walk in - you hear get out. Too bad we can't stay, baby.
But even with my minimal amount of fame, there are certain perks. Recently, I was at a movie premier, and at the party after the movie, Meryl Streep was loose, walking around the room like a normal person. Absolutely nothing was preventing me from lunging toward her and shrieking "Dingoes ate my baby! Dingoes ate my baby!
I was writing an earnest novel about cruises in the Caribbean and I just started writing 'Bridget Jones' to get some money, to finance this earnest work, and then I chucked it out.
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