A Quote by Heber J. Grant

My mother tried to teach me when I was a small child to sing but failed because of my inability to carry a tune. — © Heber J. Grant
My mother tried to teach me when I was a small child to sing but failed because of my inability to carry a tune.
Musicals are hard for me because I got thrown out of the glee club in high school, because I couldn't sing in tune at the time. I can sing in tune now, but I have to work really hard on it to make sure that I don't exercise one of my great talents, which is the ability to sing in three keys at the same time.
When we teach a child to sing or play the flute, we teach her how to listen. When we teach her to draw, we teach her to see. When we teach a child to dance, we teach him about his body and about space, and when he acts on a stage, he learns about character and motivation. When we teach a child design, we reveal the geometry of the world. When we teach children about the folk and traditional arts and the great masterpieces of the world, we teach them to celebrate their roots and find their own place in history.
Because in a small dark room, a broken child lies on a filthy bed and stares up at a high window. He waits for me, too. And I—I who have failed at everything and have failed everyone—I must not, I cannot, I will not fail him.
The words are the important thing. Don't worry about tunes. Take a tune, sing high when they sing low, sing fast when they sing slow, and you've got a new tune.
[My mother] told me a little bit about the scene out there and I think, as a small child, I just always felt a connection to that history because my mother had described it to me.
I do play the guitar, and I can sing, but just enough to carry a tune.
When I sing a tune, the lyrics are important to me. Most of the standard lyrics I know well. And as soon as I hear an arrangement, I get ideas, kind of like blowing a horn. I guess I never sing a tune the same way twice.
My father used to sing to me in my mother's womb. I think I can name about any tune in two beats.
Because, in opera, I have to sing for people that are very far from me, instead of, when I sing a song, I try to imagine to sing like in an ear of a child.
I'm slowly working up the courage to sing in front of other people, but I can carry a tune. I do some mean karaoke.
When I do things my way, I exhaust pleasure very quickly. It is not that Christianity has failed to teach me how to delight in God's presence; it is that I have failed by seeking pleasure through godless ways or by resisting God's provision for me because it is not what I want.
The reason socialism has failed around the world every time it's been tried is because people in socialist countries have looked at the United States and have said if they can have it that good, we can. It's a failed, flawed ideology, but if you ask socialists why it's always failed, it's because the United States has stood in the way.
Not every woman thinks that their mother is a nice person. I feel like when you really examine a woman's relationship with her mother, any child and their mother, you can really get to know them, because it's such an important relationship in your life and if it's not positive, that's something you definitely carry with you.
When a child is small, it is his mother who is mainly responsible for the way he is brought up. So it was with me. I belonged in those days to my mother rather than my father.
Teach the child to respect that which is not respectable and you teach the child the first requirement of slavery: submission to unjust authority. Children are persons. They are small persons whose perfect souls have not yet been ground through the meat grinder of slavery.
I would sing at home. I would sing in the car with my dad, but whenever he tried to make me sing in church, I was like, 'Nah, I'm not doing that.' I didn't want to sing in front of all these people.
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