A Quote by Heather Brooke

Whether I'll get the chance to write fiction, I don't know. I could do political conspiracy thrillers, couldn't I? With an investigative journalist as the heroine.
It seemed to me that I could write commercial fiction. I wasn't sure whether I could, or whether I wanted to write serious fiction at that point. So I said, 'Let me try something else,' and I wrote a mystery - but I didn't know much about it.
Creative non-fiction is such a liberating genre because it allows the non-fiction writer, whether he or she be journalist or essayist, to use all of the techniques of the fiction writer and all of the ideas, creative approaches, that fiction writers get a chance to use, but they have to use it in a true story.
George Orwell is half journalist, half fiction writer. I'm 100 percent fiction writer... I don't want to write messages. I want to write good stories. I think of myself as a political person, but I don't state my political messages to anybody.
Now, I'm a failed political consultant. But sometimes fiction has a way of capturing people's imagination in a way that non-fiction doesn't. Conservatives typically haven't written much fiction - specifically political thrillers - over the years to educate, inspire and mobilize people on issues of great import, but we ought to.
The media, far from being a conspiracy to dull the political sense of the people, could be viewed as a conspiracy to disguise the extent of political indifference.
I'm a reasonably accomplished journalist. I've worked as an investigative journalist, I've done crime beat stuff.
The audience simply don't find a heroine picking a fight with 10 guys as convincing as a hero. So the industry always sticks to psychological thrillers and ghost movies for heroine-oriented projects and this can sustain only for a short time.
If you write thrillers or mysteries or horror fiction or quote-unquote speculative fiction, men might read you, and the 'Times' might notice you.
If I wasn't a writer/director, I would be an investigative journalist. There's something about being an undercover journalist. I mean, that's freakin' cool!
There's something very strange about associating me with that prize. I had hoped for it in a more directed way as a journalist. Somehow as a journalist you know there are Pulitzers out there and you can work hard and get one. To win it for Fiction seems unbelievable.
If anybody ever tries to do an investigative report on a journalist, much like the kind and the way a journalist would do on a public figure, have you ever seen a stuck pig? Because that's what the journalist looks like.
I feel I'm functioning at some level as a journalist because even though I write fiction, I'm trying to get the world accurate.
I read anything I could get my hands on: science fiction, fantasy, horror, thrillers. I even became hooked on the Bantam reprints of the old pulp novels from thirties and forties: Doc Savage, The Shadow, The Avenger.
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
I used to be one of those people who read thrillers on vacation, but for some reason most thrillers no longer thrill me. Maybe because these days reality is far more unbelievable than any fiction?
That was par for the course but I also found that commissions were being canceled and in fact I considered this directly libelous - I write biographies for a living as well as being a journalist - for a non fiction book to be called fiction from beginning to end.
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