A Quote by Hilary Swank

The truth is, after Boys Don't Cry, I realized how few and far between the great roles are. I am beyond thankful for finding Million Dollar Baby. — © Hilary Swank
The truth is, after Boys Don't Cry, I realized how few and far between the great roles are. I am beyond thankful for finding Million Dollar Baby.
I am constantly thankful. The world is so beautiful, I am thankful. I have endless energy, I am thankful. I am plugged into the source of Universal Supply, I am thankful. I am plugged into the source of Universal Truth, I am thankful. I have this constant feeling of thankfulness, which is a prayer.
I think they're bogus, honestly. How utter garbage like Crash and Million Dollar Baby can win best picture, where true works of art such as Garden State go untouched is beyond me. It just proves how close-minded America really is, and I refuse to take part in it.
I was always called a cry baby, and I was one. I cried a lot as a child. In fact, I still cry a few times a day. I'm still a cry baby.
I'm insane, I'm emotional, but I'd rather be that than a robot. So that's definitely something that I wanted to get out there. Especially with Cry Baby's story, because the album is about Cry Baby but I realized that me and her went through the same change.
After years of finding mathematics easy, I finally reached integral calculus and came up against a barrier. I realized that this was as far as I could go, and to this day I have never successfully gone beyond it in any but the most superficial way.
Think, "I am beyond the body. This body is just a water bubble. I am beyond the mind. This mind is just a mad monkey. I am the Atma. I and God are one. Before this body was formed I was there. After this body leaves I am there. Without this body I am still there. I am omnipresent. I am all." To reach this truth you have to do some spiri­tual practice. You have to inquire, "What is God? Who is God? Who am I?" Jesus spent twelve years in the desert; then he realized. You must also do some Sadhana.
I cried watching 'Million Dollar Baby.' I'm a big baby, man.
Theater roles are written by the great masters. The greatest literature that you can possibly know are the theater roles like King Lear, Hamlet, and all of those great roles. So all you do is you dive into these unchallenged roles and see how far you can get, what kind of accolades you can get, and how good you can be in them. In movie roles, you can actually improve them by knowing a lot about your own stage technique, which helps a great deal in the cinema and how you can project inner humor even though the particular dialogue is not necessarily funny, but you can infuse it with humor.
When I started out in the '90s, there were not many people of color writing, directing and producing - hence, the roles for people of color were few and far between. There's still few roles in England [where she's from].
You can have a million dollar, 20 million dollar budget or 60 million dollar budget, and if you don't have a good script, it doesn't mean a thing.
After I won the Oscar for 'Pollock,' some newspaper printed, 'She should get a million-dollar bump.' My sisters would write me, 'You're gonna get this million-dollar bump!'
I used to hide it but after a lot of encouragement from my friends at university, I've gained the confidence to come out with it. I am the sun from Teletubbies. There has been quite a few people pretending to be 'the sun' but only I could tell you the real story. Everyone says they can see the likeness between my face now and me as a baby. I still have a baby face. I haven't changed much either. I am still giggly.
How violently do rumors blow the sails of popular judgments! How few there be that can discern between truth and truth-likeness, between shows and substance!
Cry Baby wasn't necessarily a baby theme but I understand what they're saying. So like, Cry Baby is definitely a remaining character throughout all of my albums.
I am very thankful and blessed to have a healthy and happy baby boy and baby mama.
At the end of the day, it's all one version of telling a story. I treated this as if it was a two million dollar independent film. I did a lot more physical work than I'd probably have to do for a two million dollar independent film with four months of training and stuff. But as far as the character's psychology or emotional life goes, I treat it just the same.
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