A Quote by Himani Shivpuri

While touring in and outside Mumbai to do theatre, I got some good offers to act in films, which brought me success and I continued to do movies. — © Himani Shivpuri
While touring in and outside Mumbai to do theatre, I got some good offers to act in films, which brought me success and I continued to do movies.
For someone, success is to be the highest paid actress. For some, it might be the number of awards, and for some, it is the number of films. Honestly, I feel privileged when a celebrated filmmaker offers me a role so that I can be a part of his vision. That is success for me.
When I was doing theatre in Mumbai, actors won't come because they had television. For many years, I did theatre religiously and in Mumbai, I saw people disrespecting it and it hurt me very badly.
Mumbai was magical, which I was really surprised by, and I got an insight into the world of Bollywood while hanging out with some Bollywood film stars while there.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
Success is brought by continued labor and continued watchfulness. We must struggle on, not for one moment hesitate, nor take one backward step.
In fact, I had a series of offers which would have brought me a lot of money to make films and package TV programs. There were people who said to me, we'll put a million dollars in your bank account tomorrow, which is a hard thing to turn down.
There were some things I was going and doing in Europe a little bit. Some festivals that brought me over. That was good. Some touring I did over there. But there was nothing major [from 22 to 29].
If it bothers me on the page, I don't do it. If it attracts me on the page and moves me, makes me think a bit, makes me laugh, makes me cry, I'm interested in it. If it's there on the page, it means it's there and up to me to bring it out. I have done some films along the way that have been screwed up and not as good as they read. Some films that are not that good on the page turn into good movies. So I'm fallible is what I'm saying.
I have been getting some offers of films. But more than films, I have been getting offers for serials which I have obviously declined.
As part of modeling, I have acted in the advertisement films of popular brands. Then I got some offers from films.
While I am open to good offers when they come by, I have found my calling in theatre.
Movies are not scripts - movies are films; they're not books, they're not the theatre. It's a completely different discipline, it exists on its own. I would say that the beauty of it is it's not the theatre, it's not done over again. It's done in bits and pieces. Things are happening which you can't get again. I forbid anyone to say "Cut", the soundman, the operator, or whatever.
Though Suparna is a Malayali, she has spent a large part of her life in Mumbai. She's a Mumbai girl. In fact, I saw the real Mumbai through Suparna's eyes. Of course, I knew Mumbai before I got to know Suparna. But it was Suparna who showed me sides to Mumbai I had never seen.
Doing theatre in Delhi didn't guarantee success in Mumbai.
The movie industry has ignored the success of films that look favorably on faith with the same sort of self-destructive stubbornness that has led to its continued sponsorship of antireligious-message movies.
Each medium has its own beauty and way of working. While television offers immense reach and long-running shows, films are shorter and they are presented differently. With theatre, it's the thrill of instant feedback.
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