A Quote by Hiro Murai
The way I look at stories is often from far outside, like a god's point of view, and also very, very subjective.
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The problem is one of opposition between subjective and objective points of view. There is a tendency to seek an objective account of everything before admitting its reality. But often what appears to a more subjective point of view cannot be accounted for in this way. So either the objective conception of the world is incomplete, or the subjective involves illusions that should be rejected.
Growing up, the question of faith and the question of God, specifically with Christianity, has been something that's informed me quite a lot, but it's also very loaded. The way that it's often expressed in America is very different from the way that I view things.
The character is important, of course, but I like when there's intelligence in a movie. I like when it's, how do you say, sensible. So for me a film is very subjective, and it's a point of view. I like to be brought into a world of a director.
I'm a strong believer in telling stories through a limited but very tight third person point of view. I have used other techniques during my career, like the first person or the omniscient view point, but I actually hate the omniscient viewpoint. None of us have an omniscient viewpoint; we are alone in the universe. We hear what we can hear... we are very limited. If a plane crashes behind you I would see it but you wouldn't. That's the way we perceive the world and I want to put my readers in the head of my characters.
My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters.
I think that people create the world that they live in. Your existence is very subjective, and you tell stories and organize the world outside of you into these stories to help you understand it.
The point of my explanation is I'm very subjective when it comes to describing my characters: they are all a little bit a part of me from the outside in or the inside out - but to put your mind at ease, I built Paul Snider from the outside in.
Katie Grand often comes in from a very different angle than what I've been thinking about. And that really gives it that extra something, because designers can often get stuck in their own view of how the collection can look. I always love the way that she turns it into something else and I kind of let go at that point.
I like to point out that people very often confuse the idea that truth is subjective with the fact that truth is perishable.
What makes a lot of suspenseful films work is very, very particular points of view and very subjective use of the camera.
I've always been a big proponent of point of view in cinema. Not necessarily that the point of view has to be subjective, but that in all great films the point of view has been taken into account and established.
Sound is often talked about in a very subjective way, as if it had a colour. This is a bright sound, this is a dark sound. I don't believe in that because I think that is much too subjective.
For us, we are all very different, our languages are very different, and our societies are very different. But if we could extract ourselves from our point of view and sort of look down at human life the way a biologist looks at other organisms, I think we could see it a different way.
There are lots of podcasts that look at films from the audience's point of view. There are also plenty that look at it from the combatants' point of view. It's invariably the case that the less likely you are to have heard of the people talking, the more interesting they'll be.
For ninety per cent of those who view him from outside, the Christian God looks like a great landowner administering his estates, the world. Now this conventional picture, which is too well justified by appearances, corresponds in no way to the dogmatic basis or point of view of the Gospels.
Also not being afraid to stand up for what you believe in while taking into account that you could very well be wrong, or maybe there's another way to look at it- that things are not what they seem to be, and that everything is subjective.
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