A Quote by Hiro Murai

I don't know why, but even my nighttime dreams are very, very rooted in reality. They just start to become surreal, little by little. That exact moment when you're about to realize that this might be a dream is my favorite thing.
Even my nighttime dreams are very, very rooted in reality. They just start to become surreal, little by little.
That exact moment when you're about to realize that this might be a dream is my favorite thing.
I definitely have recurring dreams. My dreams are crazy and surreal, which is why I appreciate Carl Jung, 'cause I feel that there has to be some kind of correlation. My dreams are like surreal sci-fi thrillers, and I don't spend time watching stuff like that. I never grew up on stuff like that. I've always just had very, very vivid dreams. This is awful to say, but, lately, I've been dreaming about witnessing murder a lot. What does this mean?
The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened.
The minute I start to talk about acting, I realize that I can't. You know, it's an abstract thing, a little bit mysterious even if you do it for a living.
I know how sad it is when you won't be able to realize your dream. But do you know what's great about dreams? You can always have a different dream. Just like the way you dream every night in your sleep, you can just dream another dream. You're not throwing your dream away, but having a different dream.
You spend very little time in the present moment. Reality exists only in the present moment. Therefore you spend very little time in reality.
I always knew I was going to be an artist. It was a done deal right from when I was very little. It sounds like the dumbest thing ever, but my mom used to doodle when she was on the telephone and she made these - they weren't just little scribbles - these little shapes and forms. I don't know why she did it. I've never seen her do it again.
I was always a little adult. Even as a little kid, I just couldn't understand why I was surrounded by all these kids. I took things very seriously.
That's the great thing about Apple: it's very focused on the things that we know how to do very well and not try to extend ourselves to areas that we know very little about or don't have a lot of expertise in.
A definition may be very exact, and yet go but a very little way towards informing us of the nature of the thing defined.
There's something very surreal about driving a truck, looking in the rearview mirror, and seeing 20 cop cars behind you. Even though you know, 'We're just shooting. This is just a scene; we're making a movie here,' it's very unsettling.
I look for things that are very different from my life, and that are curious and idiosyncratic to me. And then, I like to find if I'm able, just a little bit, to step into a world that I know very little about. That's great fun.
Little by little I want to become more free and start going forward but I know that the first thing I have to do is defend.
I think the biggest lesson that I take from 'Avatar' on any set that I go to is just work ethic. Working with Jim Cameron, you're used to working very, very long days and you're very meticulous about details. He's very, very picky about little details, little character-isms and things.
I just didn't feel very good. One day I woke up and I was like: "All right. I'm going to start eating right. I'm going to start working out." I figured it might help me feel a little bit better - even if I was still sick, it might help me move forward with my struggles. I just kind of turned a corner.
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