A Quote by Hiroshi Fujiwara

I arrived in Tokyo in around '81. Around that time, I visited London for about two months - it was the period just before Malcolm McLaren released his solo album Duck Rock. I'd met him when he came to Japan, so I visited him in London and spent one evening with him and his girlfriend over at his house. He told me, "London is boring right now. You should go to New York." So he called a friend in New York, who I think was an old assistant or someone who helped him record early hip-hop stuff over there.
When my dad visited me while I was doing a play in New York City two years ago, I took him to see 'Late Show With Stephen Colbert.' Now I'm going to his house. It's surreal.
There's a story about when President Lyndon Johnson visited NASA and as he was walking the halls he came across a janitor who was cleaning up a storm, like the Energizer bunny with a mop in his hand. The president walked over to the janitor and told him he was the best janitor he has ever seen and the janitor replied, "Sir, I'm not just a janitor, I helped put a man on the moon." See, even though he was cleaning floors he had a bigger purpose and vision for his life. This is what kept him going and helped him excel in his job.
I've lived in a lot of places - London, Germany, Tokyo, Scotland, Ireland, Los Angeles, and New York. The fashion capitals I've lived in - Tokyo, London, and New York - have this stamp of coolness about them. But I've noticed that in big cities in general, people are just less afraid to be themselves when it comes to fashion.
London has become really boring. I mean, years ago, London was really happening - there was swinging London and then punk. It was really different from other cities, and so I'd always wanted to go there and see what was actually going on. After that, hip-hop was the next thing happening, so to get the records or the proper clothing, you really had to actually go to New York. But now you don't really need to go.
His incredible untidiness, his addiction to music at strange hours, his occasional revolver practice within doors, his weird and often malodorous scientific experiments, and the atmosphere of violence and danger which hung around him made him the very worst tenant in London.
To me, the difference between New York and London is that things are boring and staid in London. But even the sh-tty diner and bars here are kind of exciting for me. Downtown is funky, West Village is beautiful with the cobbled streets, but I love going uptown because you then you go, "F-ck, I'm in New York!" You see all the skyscrapers.
Chris was a friend of mine, I loved him. I didn't see him for 18 months before he died, but I'd met him several times after the accident. What was remarkable was his personal growth in his interior life.
When they took a young man into Tellson's London house, they hid him somewhere till he was old. They kept him in a dark place, like a cheese, until he had the full Tellson flavour and blue-mould upon him. Then only was he permitted to be seen, spectacularly poring over large books, and casting his breeches and gaiters into the general weight of the establishment.
Quickly, the dragon came at him, encouraged As Beowulf fell back; its breath flared, And he suffered, wrapped around in swirling Flames -- a king, before, but now A beaten warrior. None of his comrades Came to him, helped him, his brave and noble Followers; they ran for their lives, fled Deep in a wood. And only one of them Remained, stood there, miserable, remembering, As a good man must, what kinship should mean.
Two records put me over the top with hip-hop. One of them was 'Planet Rock,' and the other had no lyrics - it was called 'Numbers,' from a group called Kraftwerk. Every kid in the 'hood in New York and New Jersey was popping, locking, and breaking to that record. It was the hottest track on the street at the time.
My daughter recommended Chris O'Dowd to me after seeing him in 'Bridesmaids,' so I watched that and his sitcom, 'The IT Crowd.' When I was over in London, we met up, and I knew immediately he was the right person.
My grandfather lived to be 96 years old. He was born in a town outside of Salerno in Southern Italy. He came to New York when he was 20. He lived in the States from age 20 to 96, but he brought his culture with him, he brought his food with him, he brought his language with him, he never spoke a word of English.
Kingston is so chill. He goes with me everywhere. He's been to every studio in L.A., New York, London. He lives up to his name - total Rasta boy. He gives me a real balance. You can go 100 miles an hour, but you still have to stop to hang out with him.
When I am in London, I think my favourite city is London, but when I am in New York, I feel it is New York. It is very hard to choose between the two.
To me, the difference between New York and London is that things are boring and staid in London.
In 1977, hip-hop literally wasn't outside the boroughs. But I was profoundly aware of the city through films like Saturday Night Fever, The French Connection, and Network. I had a friend who visited New York, and I asked him what it was like. He said, "Oh, it's great. Just wear a coat and don't look anyone in the eye."
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