A Quote by Hiroyuki Sanada

A lot of country making films in English, but in Japan we are very shy to speak English. — © Hiroyuki Sanada
A lot of country making films in English, but in Japan we are very shy to speak English.
When I moved to Bombay, it was very harsh. I was nothing like what I am today. I couldn't speak a word of English. In England, people might be very understanding about that, but in Bombay, they're not very forgiving. 'If you don't speak English, how do you expect to work in Hindi films?'
If you do not learn English in this country, you cannot get anywhere. We are in America. We are not in Mexico, we are not in China, we are not in Saudi Arabia - we speak English in this country! And what bilingual education does, is keep them from learning English, so they are doomed to be second-class citizens.
I was shy when I was a kid, I was very shy, but now I think I've improved a lot. I can speak OK with the media and with the people. My English is still bad but I feel a little bit better now than before.
I want to speak English perfectly. In fact, I want to speak English just like I fight, and, until that moment, I find it very hard to do an interview solely in English.
I think English is very important for tennis players. To be on the tour, it's much more easier if you speak English. So that's why I knew that I have to improve my English.
I felt like, I need to do English music; I speak better English than I do Korean. I think the fans enjoy it as well, so let's start making music in English.
I remember, the first time I came to the United States in 1996, I didn't speak a word of English at the beginning. I am very thankful for this country and the opportunity music has given me... My three kids were born here in Miami; they speak Spanish at home, but English with all their friends.
I grew up speaking Korean, but my dad spoke English very well. I learned a lot of how to speak English by watching television.
English is not the primary language for universities in China, Korea, and Japan, but they are being evaluated on the basis of publications in English and courses taught in English.
A lot of the demos I write are all in English, so releasing music in English isn't translating to English, it's just keeping them in English.
Making movies in France is different, but it's still acting, you know. You still have doubts and you're scared, always, but I really love doing films in America, because I love to speak English. But I think there's something very entertaining about American films. But I also like the intimacy of French films.
My English is closer to the literary English, and I'm not very familiar with jokes in English or with, you know, with small talk in English.
When you go to school in Holland you learn to speak English and write in English - but English is different from the Scottish language!
When we start making distinctions between soul and spirit, we're in very, very murky waters. There is the whole issue of the English language, which has a rather limited vocabulary when it comes to psychological descriptions, not to speak of spiritual descriptions. We're good mythically - the English language is superb for myth. But we're not very good for psychology or spirituality.
There is a future for English films. Don't we all talk, breathe, and think in English? If we can talk and think in English, we can also make films in English.
English has always been my musical language. When I started writing songs when I was 13 or 14, I started writing in English because it's the language in between. I speak Finnish, I speak French, so I'll write songs in English because that's the music I listen to. I learned so much poetry and the poetic way of expressing myself is in English.
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