A Quote by Hiroyuki Sanada

I was very comfortable on the set of 'Lost'. I was so nervous when I went on to the set because I had just watched all the 'Lost' episodes. I was, like, a fan. A big fan.
I was very comfortable on the set of Lost. I was so nervous when I went on to the set because I had just watched all the Lost episodes. I was, like, a fan. A big fan.
I just watched Paul Michael Glaser. He was the reason I wanted to do the movie because as a kid I was such a big fan of his. I watched all the episodes and tried to get a feeling for what he was doing.
I'm always drawn to strong female leads, so that's what drew me to 'Lost Girl.' I was a 'Buffy' fan and watched it with friends every week. I was also a big fan of 'Alias' when that was on - they both had strong female leads, and that's what draws me in the most.
I feel pressure as a fan. I don't really feel pressure from the fans, if that makes sense. I worked on other movies, like the X-Men movies, that have big fan followings. And if you start to get lost in those voices, you will be completely lost. I feel the pressure of the 6-year-old me.
Yes, I'm a fan, and 'The Lost City of Z' has been my inspiration. Percy Fawcett was one of my heroes, and I loved the book and the film. I was lost in the same area that Fawcett had explored, and I can identify with his sense of passion and obsession, and I definitely see the romance in searching for lost treasure.
I'm so thrilled to have been asked to guest in the Doctor Who Christmas Special, I'm such a fan of the show. The read-through was very difficult for me; I wanted to keep stuffing my fingers into my ears and scream 'No spoilers!' Every day on set I’ve had to silence my internal fan-boy squeals!
You know, I'm a big comic book fan. As a kid I used to collect them until there was a horrible mudslide in Hollywood and I lost my collection, but I was also at an early age the voice of 'Jonny Quest;' it was a cartoon; so I am kind of a latent fan boy.
I felt very comfortable on a set - incredibly comfortable on a set, which is a real gift because that can be hugely intimidating.
I am not a big fan of very prepared standup. I like when Dave Attell writes and I appreciate it but I much more enjoy with he does crowd work. I'm not that kind of comic that prepares a specific set. If I see a comic do the same prepared set night after night I am so bored.
I turned 40 on the set of the reunion show for 'Sheer Genius,' so it wasn't a hideous birthday because I had everyone on the cast and crew sing 'Happy Birthday' to me, and I won $10,000 for being the fan favorite. It was really liberating to turn 40 and realize that I felt very comfortable with myself and knew who I was.
If you watched 'Lost,' sometimes the episodes were crazy good, and sometimes you're like, 'That one was just sorta there.'
If you watched 'Lost,' sometimes the episodes were crazy good and sometimes you're like, "That one was just sorta there."
To then be on set [of The Flash] the next day over a meta human carcass talking about stratum corneum with Barry Allen, I was, like, fan girling out a little bit. I had to calm myself down a few times. But it makes it fun, coming in as a fan.
It was tough to write. We had the shadow of "Lost" hanging around and I just kept saying, "Guys, we need to take a really wide birth around 'Lost.' We're going to get lots of comparisons anyway, but we need to prove, within a couple episodes, that it's not 'Lost.'"
Yeah, I love A Nightmare on Elm Street. I was just a fan. I was such an avid fan. I remember being on the set talking about a sequence and he started asking me about maybe staging it a little different. I realized - I think he was shocked that I knew his work so well - I remember I started going like, "Why don't we do it like The Last House on the Left, where you had the girl on the ground..."
I'm a big greens fan. I'm a big vegetable fan. I'm a big whole grains fan. And I exercise a lot. That's how I keep this petite dancer's figure.
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