A Quote by Hiten Tejwani

When I get a role similar to the ones I have played earlier, I try to do something different with the part. — © Hiten Tejwani
When I get a role similar to the ones I have played earlier, I try to do something different with the part.
Even if I play a similar role to one I've played before, I will never play it the same, I'll always try to do something different with it.
Every role I have in my kitty is different. None of them resemble the roles I have played in my earlier films.
Generally a good parameter for me is to try something I haven't done before either in the writing or recording process, to break old patterns and habits. Even if I eventually return to something similar, I'll have gotten there from a different starting point and engaged in a different process.
I played Nina in 'The Seagull,' and I remember thinking it's incredible to see all the actresses in the past that've played her. It's quite strengthening. You feel a part of the family of actresses going through and giving something of themselves to the role.
If you look at my acting career, I never played a role that was similar to anything my brother played. I was always cast as the bad guy or a gangster, because my brother didn't do those kind of roles.
'Tomorrowland' is very much the dream role for me. I've always wanted to do a movie like this. Movies like this aren't made anymore, and it's so cool that I get to be a part of it. I get to do something new and crazy every day, and my character goes through so many different things. I get to do all of it. It's awesome.
Every character brings new light to a different part of myself, which is something I love about every role I get to play.
I wanna try doing a movie similar to 'The Walking Dead,' an action-horror, or something similar to 'Lara Croft.'
In TV, you get so many different opportunities, and especially, you get to try something different you don't get to do as a normal person, then great.
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
There's a certain cruelty to being on a big screen as your eyelids start to sag and your hair falls out and turns gray that you either have to be able to handle or not. What you can't do is try to force yourself into roles that you could have played or would have played ten years earlier.
'Bloodshot,' for me, was unlike anything I'd ever done before, which was really the draw of it. In addition to trying to reconnect with my earlier work, I also wanted to try to do something that was completely new and different.
When preparing for a role, a month is a luxury. Sometimes you've maybe got two weeks before you start on something. So you have to learn how to do it quickly. And the longer you have a role, that it lives in your imagination, the more you're going to be able to contribute when you get on set. Because it's really about your subconscious having time to sit with the part, so you're out doing something and then something occurs to you, you know?
I try to do as many different roles as the system will allow me. That's the benefit of not being in a giant blockbuster where you're the lead and you get typecast in that kind of role. I am able to slip in or out of a lot of different parts.
If you don't get tired or bored then there is something wrong with you - you are not human. People maybe don't realize that. Players try to hide it and try to be the perfect role model, but it is not always so easy.
Many associate me with the person I was when I was young. But I had a different role then, played in a different position.
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