A Quote by Tricky

I cry at absolutely anything. 'Lethal Weapon,' the fight scene at the end - you can see it on YouTube. — © Tricky
I cry at absolutely anything. 'Lethal Weapon,' the fight scene at the end - you can see it on YouTube.
When it's the funeral scene of 'My Girl,' and Thomas is in the casket, and the young lady is screaming that he can't see without his glasses, you can absolutely, absolutely cry. Perfectly big, crazy tears all over your shirt, into the arms of others.
Look, if somebody said tomorrow, "We're making a Lethal Weapon formula movie, but it's incredibly well-written and for two women," I'm not going to say, "Oh, forget it, it's formula." I got an idea the other day, that somebody should write a typical formula movie, a Lethal Weapon, and make it with me and my dad. It could be all father-and-daughter capers. But I'd want someone really weird to direct it.
I like the dueling club scene, where Daniel and I fight with our wands. I thought it was a brilliant scene to shoot. I think the end product looked really good.
We did something that bands are kind of afraid of, or at least used to be, [which] is the YouTube scene. They don't want the YouTube stigma.
I often tell my students that you can't worry about the end of an improv scene because the end is not up to you. You just play as hard as you can until someone changes the scene. The scene has changedthe end is not up to us.
I love the 'Lethal Weapon' movies.
I can take a newspaper and make it a lethal weapon.
I really like the Chris-R scene and of course the "you are tearing me apart Lisa" scene. The reason I love the Chris-R scene is because we worked really hard to finish it. It's not just that though, it brings people together. Everyone is one the roof together by the end of the scene. You see the perspectives of the different characters. I feel like with all the connections in this scene that the room connects the entire world
It's never really fun to have to cry in a scene or anything like that.
There's a guy on YouTube named Mac Lethal - he spits hot fire.
My first passion was running: I excelled at that starting till the end of the high school. I pretty much cover about 20 miles a night on stage. I basically rechanneled all the athleticism and adrenaline, and everything that's exciting about sports into music. That was my secret weapon, because in Ukrainian punk rock scene - where everything was very gloomy - being athletic was not cool. I didn't publicize anything about my sport past, but I rolled in onstage with a background nobody had, and I became instantly recognized as the wildest performer in the punk-rock scene.
When I'm creating a character, it's a little bit like what my theater teachers used to tell me about Stanislavsky, like if you're using sense memory to do a scene - if you have to cry in a scene, you try to remember something in your life that made you cry and you use that in order to get the tears.
People always complain that superhero movies end with a big fight scene where they're tearing up a city, and there's a portal opening up, and they have to close it... I wanted to have a climactic scene that subverted those familiar ideas.
I had written in another draft a completely different kind of fight, but they said they couldn't afford to shoot it. They needed a fight scene, though, so I was told to put a fight scene in, but not the one I had written.
Music and fashion combined make such a lethal weapon in my opinion.
No wonder that Churchill described this effort [the British codebreakers working at Bletchley Park] as "Britian"s secret weapon," a weapon far more effective than the buzz bombs and the rockets that Werner von Braun designed for a German victory, a weapon absolutely decisive, in the judgement of many, in winning the war for the Allies.
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