A Quote by Tricky
I'm not going to be pretentious and two-faced to get a good review. But that's the kind of thing which gets you a rep in this business.
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I'm not ashamed to speak my mind. What you see is what you get. You're not going to get a two-faced person who is going to say one thing and mean another.
I built a career on negative reviews. I didn't get a good review ever until Fran Lebowitz gave me a good review in Interview. That was the first good review I got in 10 years.
Every little thing you do is going to add up and be the difference and contribute to your success. If you believe in that, it's going to make you want to get 1 percent better every day. Do that extra one rep in the weight room. Do that extra mental rep at practice. Stay a little longer because it's going to add up and be the difference.
One thing I really believe is control what you can control so for me, each and every day I get an opportunity, no matter what if I'm with the ones, twos, threes, fours. If your number is called and you get a rep, make the best of the rep.
Any kind of business or start-up you have, you're going to be faced with a lot of people who maybe don't believe in it or see the vision or just say no. The key is seeing beyond that and really trying to not let the no's get you down.
I kind of want to take the writer down a peg. I think there are a lot of pretentious writers in this business, which I am certainly one, in certain cases.
That last rep where you're trying as hard as you can and you barely make it!
That is what turns on the growth mechanism in your body.
That last almost impossible rep where you're bearing your teeth, you're shaking all over, you need assistance!
That rep is very special, that rep is very different. There's something special going on inside your body when that happens.
There are two ways that you can gain territory from another group. One is by conquest. That's essentially the way we took California from Mexico and... Texas as well. But what's going on now may end up being a kind of recolonization of the Southwest, because the other way you can regain territory is by population infiltration and demographic dominance.... The United States will be faced with the problem that Canada has been faced with... and which our system is not prepared to accommodate.
Whoever writes a bad review, I put their name on a list, and they're going to get taken care of one day down the road. Otherwise, I don't let it bother me. The truth is, these are review-proof movies. The audiences are going to see it. My audience, our audience, isn't reading Esquire magazine to see if my movie is good or not. They just want to laugh, to be entertained, and lose themselves.
If you own a wonderful business...the best thing to do is keep it. All you're going to do is trade your wonderful business for a whole bunch of cash, which isn't as good as the business, and you got the problem of investing in other businesses, and you probably paid a tax in between. So my advice to anybody who owns a wonderful business is keep it.
Any kind of business or start-up you have, you're going to be faced with a lot of people who maybe don't believe in it or see the vision or just say no.
Anybody tells me I get a chance to rep Houston, I'm gonna rep it proud. It's all I've been wanting to do forever.
Writers are funny about reviews: when they get a good one they ignore it-- but when they get a bad review they never forget it. Every writer I know is the same way: you get a hundred good reviews, and one bad, andyou remember only the bad. For years, you go on and fantasize about the reviewer who didn't like your book; you imagine him as a jerk, a wife-beater, a real ogre. And, in the meantime, the reviewer has forgotten all about the whole thing. But, twenty years later, the writer still remembers that one bad review.
You kind of notice what's going on in your body, and you can kind of feel a certain tightening, or fear, which is something that, as an artist, I've kind of befriended. I can pretty much count on it for anything that I engage in - that thing like, "Am I going to be able to pull this off?" Well, what am I gonna do with this feeling? The more nervous you get, the more worried you get about it. So you pay attention to what you might need.
I don't want to name names because they'd be mad at me if I did, but people who are significant novelists can't get published by real publishers at this point, or have to go through two years of trying after writing a novel that's taken them five or six years and simply can't get the thing in print. Or it gets in print and it doesn't get reviewed in the New York Times Book Review and disappears without a trace. I mean, it's terrifying. I don't know how anybody can stand it. It's such an enormous amount of work and the economics of it are really quite brutal.
The whole thing about Tool is that it kind of feeds on itself. If it's going, it's going. If it's at a grinding halt, there's either the will to pick it up again and get it going or not. We've been through serious stages of nothing... business problems or personal problems or whatever.
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