A Quote by Ok Taec-yeon
'Hello' and 'Bounce' were my most favorite tracks from his 19th album, and I hope many people in Japan would also enjoy Cho Yong Pil's music along with me.
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It is a great honor for me to work with Cho Yong Pil, who is a living legend.
I like getting my own thoughts out right now, I have fans to solidify, so that's why I don't do tracks with too many younger rappers or newer artists. People may consider me to be a music snob or whatever, but I like to preserve what's mine and I also don't just do tracks to do tracks, I make every song with a purpose.
I don't tend to have a favorite album; I tend to have favorite tracks. There are flaws in every album that spoil it for me.
In 1975,Bob Dylan was almost 10 years past his prime - and then he released the best album of his career, Blood on the Tracks. Written and recorded amid a painful divorce, Blood on the Tracks is proof that heartbreak makes great art - just as many of the albums that followed were the opposite.
I'm listening to a lot of Drake, and a lot of Frank Sinatra just because it's his centennial also. I'm going to be doing some tributes to him this year. I love that Beck album. It was funny to me because my two favorite albums of the year were definitely the Beyonce album and the Beck album.
My fans saw 'Roll Bounce,' but also that older crowd who might not have been familiar with me on the music tip saw 'Roll Bounce' and loved it. 'Roll Bounce' opened up that door for me to have older people love Bow Wow and opened up that door so all of the kids would love Bow Wow. My fan base is really diverse; it's all ages and all colors.
I really believe in albums, even though some people believe the year of the album has passed. I love singular pop songs or tracks, but what really affects me most deeply is if there's an hour of music or 45 minutes of music that flows really well and tells a story.
When Alcatrazz played in Japan in early '84, the record label offered me the opportunity to do a solo album while continuing to play in the band. I wanted the whole album to have vocals, but the record company didn't want that. Initially, the album was released solely in Japan.
It would be inadmissible if I would vent my opinion publicly. Not only could I harm the artist concerned seriously because people have so much respect for me and believe in me because of my musical accomplishments. And I could also antagonize people against me, because everyone has his own taste. We all make music, people can choose from that what they like. Every musician likes his own music the best, man. I don't want to attack that. I don't mind criticism, I can handle it, but most people can't".
There were a lot of songs that I still wanted to put on the album but it worked out. I can only fit 18 [tracks] on the album, I would put 30 if I could.
Carole King's second album, 'Tapestry,' has fulfilled the promise of her first and confirmed the fact that she is one of the most creative figures in all of pop music. It is an album of surpassing personal-intimacy and musical accomplishment and a work infused with a sense of artistic purpose. It is also easy to listen to and easy to enjoy.
My favorite album would have to be Rocket To Russia. I feel this album has the most classic Ramones songs.
Any new ideas go into PiL. My inspiration is everything that the human being gets up to. I don't listen to any music when I'm in PiL-zone, because influences can poison your well. Otherwise, I listen to anything.
But I also enjoy music outside the band. I've been doing production for other people, including Robert Wyatt. Check him out. The album we did together, 'Rock Bottom,' I think it's really lasted well. It's a 35-year-old album, but it worked.
My first album was more about me making a statement, as I felt like I was kind of stuck in the smaller scene of underground House and Techno when the music I produce actually spanned a much wider range of genres, including the more Pop/Trip Hop stuff and more song-based compositions. Comfort was to kind of show that I wasn't just about one thing. Working on Take Flight was my chance to step back and merge the many worlds of music I enjoy working in and showcase it all through a journey of 24 tracks.
When writing music for the 'Kaddish,' I evoked the prayers that were sung in Eastern Galicia, Ukraine and Romania. I was advised by my late friend, Boris Carmeli... He would sing me various melodies that were sung by his grandfather, thus they had to be at least as old as the mid-19th century.
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