A Quote by Horton Foote

I come out of a strong oral tradition in the South. — © Horton Foote
I come out of a strong oral tradition in the South.
I am not against songs in films. We come from an oral tradition of storytelling. I have grown up listening to epics in oral rendition and oral rendition always had music.
Rap comes from the oral tradition. The oral tradition gives voice to those who would've otherwise been voiceless.
I grew up in a society with a very ancient and strong oral storytelling tradition. I was told stories, as a child, by my grandmother, and my father as well.
Indians are marvelous storytellers. In some ways, that oral tradition is stronger than the written tradition.
Many analysts compare Turkey with countries in the Middle East, but I think we need to compare it with Russia. Both countries come from a tradition of empire, and also from a tradition of the strong state.
From 1962 to 1965 the US was dedicated to try to prevent the independence of South Vietnam, the reason was of course that Kennedy and Johnson knew that if any political solution was permitted in the south, the National Liberation Front would effectively come to power, so strong was its political support in comparison with the political support of the so-called South Vietnamese government.
The South actually has a very strong tradition of activism. The civil rights movement came from down here! It was black activists demanding that their voices be heard. People say these are red states. No they're not!
I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written.
I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written
Americans, Poles, and the nations of Europe value individual freedom and sovereignty. We must work together to confront forces, whether they come from inside or out, from the South or the East, that threaten over time to undermine the values and to erase the bonds of culture, faith and tradition that make us who we are.
I would then go on to say that Homer, as we now know, was working in what they call an oral tradition.
Because we are all of an oral tradition in our beginning histories, the voice of the poet in this particular society will be heard.
Poetry carries its history within it, and it is oral in origin. Its transmission was oral. Its transmission today is still in part oral, because we become acquainted with poetry through nursery rhymes, which we hear before we can read.
Nowhere else is there so large and consistent a body of oral tradition about the national and mythical heroes as amongst the Gaels.
Gershwin's melodic gift was phenomenal. His songs contain the essence of New York in the 1920s and have deservedly become classics of their kind, part of the 20th-century folk-song tradition in the sense that they are popular music which has been spread by oral tradition (for many must have sung a Gershwin song without having any idea who wrote it).
I don't travel and tell stories, because that's not the way these days. But I write my books to be read aloud, and I think of myself in that oral tradition.
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