A Quote by Jose Carreras
If I can do concert recitals, adapting the repertoire to my needs, then no problem, that's good enough. But with operas, unless the right circumstances come up, my career is done.
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[Doctor Strange] is difficult, he's arrogant, but he's kind of brilliant and charming and you'd think, "Yeah, I'd want him on my head if I needed brain surgery." He's good enough to warrant his arrogance and he respects other people but not when he thinks he's right and he'll just do what he deems needs to be done when he knows or feels that he's right and the problem from humility's point of view is that he is right, he's really really good at his job.
The nice thing about the violin repertoire is that it's small enough that you can plan on learning everything at some point - whereas the piano repertoire is so enormous it wouldn't be possible unless you're a learning machine.
We're told, often enough, that as a species we are poised on the edge of the abyss. It's possible that our puffed-up, prideful intelligence has outstripped our instinct for survival and the road back to safety has already been washed away. In which case there's nothing much to be done. If there is something to be done, then one thing is for sure: those who created the problem will not be the ones who come up with a solution.
Let me take some pressure off. Your problem is not discipline. Your problem is not organization. Your problem is not that you have yet to stumble upon the perfect schedule. And your problem is not that the folks at home demand too much of your time. The problem is this: there’s not enough time to get everything done that you’re convinced—or others have convinced you—needs to get done.
It's not enough to have a dream, Unless you're willing to pursue it. It's not enough to know what's right, Unless you're strong enough to do it. It's not enough to learn the truth, Unless you also learn to live it. It's not enough to reach for love, Unless you care enough to give it Men who are resolved to find a way for themselves will always find opportunities enough; and if they do not find them, they will make them.
I've done a lot of operas. I've probably done more different kind of operas than anybody.
You're in the right place at the right time, and you care enough to do what needs to be done. Sometimes that's enough.
I am a player who finds it easy to adapt to the circumstances, and I don't think I would have had a problem adapting to England.
I'm lucky because my repertoire is so specific, and theaters are interested in me singing my repertoire because it is not done so much. I'm pretty well settled in my repertoire. I like what I sing. My voice is high, and there is not much in baroque opera for higher tenor.
In my view, the operas of Carlisle Floyd will find a place in the permanent repertoire.
This is the question I want everyone to ask yourself every single day when you come up with something you feel that needs to be done: if not now, then when? And if not me, then who?
Obviously cheap sentimentality isn't something any good novelist wants to traffic in, but I think it's a problem if you consider it to be the most egregious of all creative sins. I think it's a problem if you consider it the thing to be avoided at all cost. I think it's a problem of you're not willing to risk the consequences of that kind of emotionalism under any circumstances. Then you wind up in the cul-de-sac of irony.
But, when I had this feeling and started painting sacred art, as I had this feeling to do, then it come to me: my problem is I'll get a lot of criticism and another problem is my work's not good enough to sell.
I conclude that the Wagnerian operas which are already in the repertoire, and other masterworks as well, stand in no further need of my services.
When you start looking at a problem and it seems really simple, you don't really understand the complexity of the problem. Then you get into the problem, and you see that it's really complicated, and you come up with all these convoluted solutions. That's sort of the middle, and that's where most people stop... But the really great person will keep on going and find the key, the underlying principle of the problem - and come up with an elegant, really beautiful solution that works.
The one thing I know is, if I play good ball, things have tended to come along with it. Everything that I've ever done in my career has come off of playing good football. And so I realize I need to go out there, and I need to take care of my business; then everything else - all these cool, great things - come along with it.
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