A Quote by Christian Cage

I'm out there every night working my butt off trying to do what I do, and that is entertain every single person that paid their hard earned money for a ticket. So I think people realize that and I think over time, I feel like that's grown, definitely.
I think people know that every time I go out there, I leave it all in the ring, regardless. So I think there's a certain respect with that and I think that's just grown over the years because I feel like over the course of my career... people know that I never take a night off.
I think one of the things that the people, the fans, know about me is that every time I step in the ring, I give everything I have to entertain everyone that's spent their hard-earned dollars on a ticket for a WWE event. I think that's apparent.
Most of my life, everybody made more money than I did at the places I worked. In fact, when I've been an employee, I have never been anywhere close to being the highest paid person there, never. I was working hard. I was working hard. I was doing things I didn't want to do, that I thought I should do. I was getting up every day, going to work, did not phone in sick. Striving. Trying to get ahead, you know, doing what Obama says, working hard and applying myself and trying to get ahead. There was always somebody, there were always a lot of people that earned more than I did.
Every single second of extra time to work with other actors has definitely always, for me, paid off for the film. For the project. Every single extra heartbeat you could get, mutually considering the scene, was of benefit.
If people took the time to leave their homes and bought a ticket with their hard-earned cash to see me perform, the least I could do was give it everything I had every time out.
There are days where I can go into a room full of people, talk to every single person, and feel completely at ease, and feel like making every single person laugh, and feel like everyone's having a great time. There are other times where I go into a room of people, and I literally want to run and hide.
Every artist wants to feel like they're still valid in a contemporary way. But you can't be so arrogant not to think that people who have thrown down their hard-earned money don't want to see and hear the things they want.
We paid for this instead of a generation of health insurance, or an alternative energy grid, or a brand-new system of roads and highways. With the $13-plus trillion we are estimated to ultimately spend on the bailouts, we could not only have bought and paid off every single sub-prime mortgage in the country (that would only have cost $1.4 trillion), we could have paid off every remaining mortgage of any kind in this country - and still have had enough money left over to buy a new house for every American who does not already have one.
It's not like I'm out eating McDonald's and Del Taco every night. I eat good: my mom fixes dinner every single night - baked chicken, fish - she cooks a great meal every single night.
I think there's something in collaboration - the fact that you can sit there and bounce ideas off of someone. It definitely matters who the person is, because certain people... The act of collaboration, where you can talk to someone, hang out, get ideas going, there is something in that. That's similar between everyone. But I think every individual collaborator is different, because they have different brains and emotions and ways of working, so it changes. Definitely.
People that come to my shows are definitely people that feel outsiders. They feel like I don't feel sexy, I don't feel like - I can't go out every night on Friday and I can't connect to that, and I feel so much pressure to do that.
I'm old school, when I go on stage, I want every single person in that theatre to have the time of their life. I don't want to upset someone on their night off when they've been working all week.
Our people went out every single night trying to stop crime before it happened, trying to take people off the street that they believed were involved in crime. That made us a very aggressive, proactive police department.
I think that everybody has hard work side, no matter what your job is, you have bad days, you have people you don't get along with. The thing about modeling is every single day you're working with a completely new team so every single day is your first day of work or your first day of school. And you can't really have an off day because that will be the only experience they have with you.
Sometimes it is really hard to sit in the single and go for a row. I think this is really normal. I, like probably a lot of people, burn out every once in a while. What I have learned from my own experience is that there are two reasons for it to happen. It is that I am either physically tired or mentally tired. If either of these are the case, the wisest decision is to blow off practice. Blowing off practice is healthy. I didn't understand that until I was so burnt out that I wanted to make scrap material out of my single and my oars.
I think actors get paid a lot and technicians don't get paid enough and I think that it should change because a good film, which is like a complete package, needs every single member of that team. I think we need to pay them more.
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