A Quote by Christian Cage

One day, I was flipping through the channels and I happened to flip the channel onto wrestling. I had never seen it before; I didn't know what it was. I was hooked instantly. — © Christian Cage
One day, I was flipping through the channels and I happened to flip the channel onto wrestling. I had never seen it before; I didn't know what it was. I was hooked instantly.
I've become very interested in the spectrum of political discourse as seen on the cable news channels that are conveniently right in a row on my cable provider's dial. I can flip from Fox to CNN to HLN to MSNBC, and I find myself at night flipping it back and forth through them, and it's something of an addiction.
When I was growing up, I had three channels, and I didn't know what happened in the Philippines instantly if it happened. Now you can be on the Internet and find out what's going on in Zimbabwe. It's changed.
In Russia we only had two TV channels. Channel One was propaganda. Channel Two consisted of a KGB officer telling you: Turn back at once to Channel One.
I'm a TV junkie. I'm always flipping through channels.
They have an amazing proliferation of TV channels now: The all-cartoon channel, the 24-hour-science fiction channel. Of course, to make room for these they got rid of the Literacy Channel and the What's Left of Civilization Channel.
Woodstock happened in August 1969, long before the Internet and mobile phones made it possible to communicate instantly with anyone, anywhere. It was a time when we weren't able to witness world events or the horrors of war live on 24-hour news channels.
Sometimes I'll be flipping through the channels and I'll see a movie I'm in. And I'll probably stop and think, 'Sure, I'll watch this.'
Woodstock happened in August 1969, long before the Internet and mobile phones made it possible to communicate instantly with anyone, anywhere. It was a time when we werent able to witness world events or the horrors of war live on 24-hour news channels.
I wanted to open up a stand to sell dried fruit and beef jerky where we lived in Greenwich Village. I was 8 years old. I had been flipping through TV channels and got mesmerized by this infomercial for a food dehydrator.
As an artist, you want as many people as possible to see your work with no interference. And usually, I've gone onto fringe channels: BBC Two, HBO, Channel 4.
I was just watching "So You Think You Can Dance," flipping channels, and I was like man, I could never do that.
The first time I stepped onto the rooftop of the Potala Palace in Lhasa in 1985, I felt, as never before or since, as if I was stepping onto the rooftop of my being: onto some dimension of consciousness that I'd never visited before.
I was really proud to be in that show. I will never forget. I got the script to 'Millie,' and I'm flipping through the script and saying, 'Boy, I have some lines... I have a big song.' I was 25 years old and had never been on Broadway before. I got to the end of the script, and I was really nervous and excited. I realized I had a lot to do.
My favorite part of working with 'Lucha Underground' is learning more Lucha, combining that with my WWE psychology, and taking wrestling to a place we've never seen before in the evolution of wrestling.
I'm on all the channels. I'm on every channel. Not just Fox. I'm even on the channels that attack me all the time.
I always tried to imagine what it would be like to open your door to find something you had given up on. Maybe it had seen places you never had, been rerouted and passed through so many strange hands, but still somehow found its way back to you, all before the day even began.
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