A Quote by Huma Qureshi
Not all are starting from the same line; however, the finishing line is certainly the same. We all have to show how much money our films make or how many awards we win or what critical acclaim and commercial success our films have.
Related Quotes
It doesn't matter who you are, how many awards you've won, how popular you are, or how much critical acclaim you've had.
I'm deeply appreciative that many people have enjoyed my films, films that I made in my own style. The successes have helped me learn how to make films free of expectations and focus solely on the pure filmmaking aspect, without worrying about how much money it'll make.
We measured our success not just by how much money we made, but by how much we contributed to the community. It was a two-part bottom line.
I don't take films to prove my talent and receive critical acclaim or awards.
When you're starting out, every line in a show or a commercial is like a huge success.
I don't understand how people do so many films at the same time. For me, two films a year.
The third line of cinema today is neither art nor commercial but categorized as good and bad cinema. I think two films - 'Main, Meri patni aur Who' and 'Main Madhuri Dixit Banna Chahti Hoon' were the base films for this new line of cinema.
I believe the true road to preeminent success in any line is to make yourself master in that line. I have no faith in the policy of scattering one's resources, and in my experience I have rarely if ever met a man who achieved preeminence in money making.. certainly never one in manufacturing.. who was interested in many concerns.
For me, it's not about the awards. I don't define success by how many awards you have or how much money you have. To me, success is if I'm happy. If you have $20 million in the bank and you're not happy, you're not successful to me - that's my opinion.
I think my films kind of walk this line that I'm proud of, that they feel sort of like films of my youth, which were far more commercial.
I have a problem with the present definition of commercial films. To me, 'Ghare and Baire' is an absolute mainstream film. There are also many films I have worked in that have been called art films by many. But I consider commercial.
I think my films kind of walk this line that Im proud of, that they feel sort of like films of my youth, which were far more commercial.
You see I don't like to be really too commercial about things but in this business you've just got to be commercial otherwise the films don't make money and you don't make films and as a long as a commodity is selling it's silly to kill it dead.
MCs get a little bit of love and think they hot,
Talkin bout how much money they got...all y'all records sound the same.
I'm sick of that fake thug, R&B-rap scenario, all day on the radio,
Same scenes in the video, monotonous material.
...Y'all don't hear me though:
These record labels slang our tapes like dope.
You can be next in line and signed, and still be writing rhymes and broke.
I am choosing films only to entertain people, but at the same time, if someone is putting their money into my films, I want that person to make money.
All of the films I have made, that I have chosen to make, are all about the thin line between good and evil. And also the thin line that exists in each and every one of us. That's what my films are about.
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