A Quote by Hugh Grant

'The Lair of the White Worm' is quite a strange film. It's difficult to be good when you're saying lines that have been translated from Spanish to English by someone who speaks French.
Many of the books I read, I had to read them in French, English, or Italian, because they hadn't been translated into Spanish.
Born in St. Petersburg, Russia, my wife speaks five languages: Russian, English, French, Italian and, out of self-defense, Spanish. I watched her learn Spanish in three months.
I grew up speaking Spanish and English. My mother can speak Spanish, English, French and Italian, and she's pretty good at faking Portuguese. I wish that I spoke more languages than I do.
In fact, many of the quotes in my books are quotes which were translated from English and that I read already translated into Spanish. I'm not really concerned with what the original version in English was, because the important thing for me is that I received them already translated, and they've influenced my original worldview as translations, not as original quotations.
It's easier for me to act in Spanish, but as soon as I get the lines in English and I know them by heart, it becomes really easy. You don't have to worry about the language anymore. It just takes more time. In Spanish, I can learn lines in 10 minutes. In English, it's going to take an hour.
My French is terrible, and my Spanish is even worse. I find Spanish really difficult. They speak so quickly, whereas in German, it's very clear what they're saying. It's easier to repeat.
I have no idea why one of our most original filmmakers would want to spend two years of his life translating someone else's movie from Spanish into English. And it wasn't such a good film in Spanish, either.
I was raised speaking English and Spanish. And I also speak Danish. And I can get by in French and Italian. I've acted in Spanish and English, but when something has to do with emotions, sometimes I feel I can get to the heart of the matter better in Spanish.
You never know what little idea or joke, what flame flickering really quickly, will become a song. That first idea, it can come any time. If it's in Spanish, you go on in Spanish. If it's in French, French. If it's in English, English. Or Portuguese. I'll try to do my best. I like Italian, though I don't speak it much.
John Kerry speaks French fluently. Democrats are saying he's one in a million. A war hero who speaks French, isn't it more like one in a trillion?
It's a common mistake for vacationing Americans to assume that everyone around them is French and therefore speaks no English whatsoever. [...] An experienced traveler could have told by looking at my shoes that I wasn't French. And even if I were French, it's not as if English is some mysterious tribal dialect spoken only by anthropologists and a small population of cannibals.
I think I can adapt quite easily from having a Spanish mother and an English dad and growing up in both places. I feel like I've got two lives - that Spanish life, which was so free, and then I lived in England and went to an all-girls, private school and had to fit in with that. That switching out and becoming someone else, I find it quite liberating, actually.
I spent ten years in London; I trained there. But because I started in English, it kind of feels the most natural to me, to act in English, which is a strange thing. My language is Spanish; I grew up in Argentina. I speak to my family in Spanish, but if you were to ask me what language I connect with, it'd be English in some weird way.
There are certain sorts of jokes which have only to do with the substitution of the unexpected word in a familiar context. If you translated something into French and then had it translated back into English by somebody who didn't know the original, you'd lose what was funny.
On the day of the show, I sit down with someone that speaks very good English and someone who speaks the local language very well and work out what I'm going to say.
My mind speaks English, my heart speaks Russian, and my ear prefers French.
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