A Quote by Hugh Panaro
What I have noticed which I'm not nuts about that the trend that a lot of shows are hiring the American Idol type of talent without real training and real technique and I think that audiences are smart and sometimes seeing that things are not as high caliber as they were before.
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I think audiences are really thirsty for real shows about real people in any circumstances.
'American Idol' is sometimes lumped with reality shows and it has that element - folks-next-door battling it out in a contest. But instead of fighting leeches, bugs, parasites and each other, as on CBS's 'Survivor' and other shows that imitate it, the 'American Idol' contestants, of course, sing.
I thought the first two seasons of America's Got Talent were good. I think this one is the best one by a mile because they - you see the difference this year, I think, with the crowd being effectively the fourth judge. But most importantly, I think that these shows have to have a relevance because if you're not finding stars at the back of these shows - whether it's Idol or Got Talent - they're a complete waste of time.
Experience has taught me a technique for dealing with such people [...] I counter the devotees of the Great Pyramid by adoration of the Sphinx; and the devotee of nuts by pointing out that hazelnuts and walnuts are as deleterious as other foods and only Brazil nuts should be tolerated. But when I was younger I had not yet acquired this technique, with the result that my contacts with cranks were sometimes alarming.
There was a perception that reality-show people are just mere personalities, that they don't have real talent, and I worked real hard to change peoples' minds, one show at a time, and proved a lot of people wrong. I'm proud I was the first to do that for 'Idol' on Broadway!
The real issue is not talent as an independent element, but talent in relationship to will, desire, and persistence. Talent without these things vanishes and even modest talent with those characteristics grows.
I think that's something that always enticed me about the '40s - back then, the glamour and the style - you couldn't really make it up. You just were or you weren't. You either fit in that world or you fit in the other. Things were very cut and dry. Things were simple. There wasn't a whole lot of excess or flash to be flashy; it was real flash, and real excitement.
I wrote about real people and real circumstances and real neighborhoods. There was no crypt or castles or H.P. Lovecraft-type environments. They were just about normal people who had something bizarre happening to them in the neighborhood.
When I trained for 'Creed,' I had about a year in advance to know what I was doing before. So I lived like a fighter, you know? I went through the workout routine, the diet, training with real boxers, training with real trainers, did the whole thing.
After 'American Idol,' I got a lot of 'stuck up' rumors that just fueled the never-ending flames of high school drama. Thankfully, my real friends always stood up for me and knew I wasn't like that.
Sometimes things can be a guilty pleasure, but with 'Idol,' everyone talks about it like it's a real thing; they argue over who's gonna win... There's no laughing at it.
'Iron Chef America' is so real. Imagine putting on television the whole process of making that food, the technique. It's all about technique. It doesn't even matter if you show the faces sometimes.
Antonio Inoki majored in strong style. He showed real emotion with real technique in the ring. Hard shots that look like hard shots. But the important steps is the real technique from the real martial arts. It means detail is important.
With the casting in Israel, sometimes there were four or five people, that you could just flip a coin and choose from, that would have been all terrific. And seeing all of these fabulous faces that the American audiences are just not used to seeing is really exciting.
I'm writing about real things. Real people. Real characters. You have to believe what I write about is true or you wouldn't pay any attention at all. Sometimes it's me, or a composite of me and other people. Sometimes it's not me at all.
I've met some real talents that were...real talents and I've met some real talents that were incredible people.People like Al Williamson, Gray Morrow, to a certain extent Jim Steranko, who is an institution all to himself. What a talent. What a genius talent.
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