A Quote by Hugh Hopper
Like all tools, modern technology has produced some wonderful moments in music and also some horrors.
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When you use some of the more modern recording devices and Pro Tools, when you get into the technology, you are aching to get into some territory.
A lot of times, people think of Asian culture as some mythical world instead of modern people with modern occupations with modern problems, modern tools. Like, we're not all just talking Taoism and kung fu - some people are just trying to get over their breakup with their boyfriend, and they're Facebook-stalking.
Some people do rely too much on technology. Look, technology is wonderful and I love it. When I was in the UK and I had hit records I would also have a high tax bill at the end of the year, and that would be the time to buy up all the technology - it was write offs.
I'm into old-time music; I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like. So there's some connection between visual images and music.
I mean, people have created great shows, produced wonderful television, and nobody tunes in. For whatever reason, it just doesn't resonate with the masses. And vice versa, people have produced some really crappy television and mediocre stuff, and for some reason it hits. And there's no rhyme or reason.
I love the idea of carrying on some kind of tradition using some of the artifacts from people that touched my life. They're a continuum, too. I still use my father's tools and some of my grandfather's tools. There's a very romantic streak in me. I confess, I'm a romantic, but I like the idea.
Brian Eno is an iconic and omnipresent pioneer in the world of ambient music, but he's gained real staying power while working behind the boards. He's produced albums for some of modern music's most influential artists, including Devo, David Bowie, U2, Coldplay, Peter Gabriel and Talking Heads.
About every year or two, there is a moment of truth where there's some new development in the marketplace, some new technology, some sort of existential crisis. You just have to be vigilant about looking out for those moments.
I'm into old-time music, I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like.
We have self-assessment tools, computer-based tools to see how we are performing mentally in outer space and there's some also very interesting technology and work that's being funded by NRSBI to look at facial recognition to look at your patterns to see if you're experiencing stress or fatigue. It's a kind of thing that I think will gain acceptance with gradually. But it probably has more to immediate application in things like homeland security, and looking at facial recognition of people going through airports and things like that to see who's under stress.
Now I also want to say, without a doubt, there are some wonderful, wonderful, absolutely wonderful things about being a man. But at the same time, there's some stuff that's just straight up twisted, and we really need to begin to challenge, look at it and really get in the process of deconstructing, redefining, what we come to know as manhood.
The greatest records in the world were made without going to Auto-tune or Pro Tools, or having some click track. If they could do it, why can't we? Something's been lost in music. It's all been over-produced, squashed down, totally compressed.
Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
[Some of the people I'd met] were wonderful people as human beings, and some people were more difficult. I could not see a correlation between their particular genius in playing chess and music and mathematics, etc. ... with human qualities. Some were really good, wonderful people, and some were difficult characters, but there was no clear correlation. But when I met some spiritual masters, [I thought that] there had to be a correlation, and it turned out to be true.
The beautiful in life...
Some talk of it in poetry,
Some grow it from the soil,
Some build it in a steeple,
Some show it through their toil.
Some breathe it into music,
Some mold it into art,
Some shape it into bread loaves...
Some hold it in their hearts.
Our moments are music, and sometimes – just sometimes – we can catch them and put them into some lasting form. If we didn’t have music, I don’t think we could ever be truly happy, and if we didn’t have special moments, we would never find music.
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