A Quote by Hugh Howey

When I needed an e-book formatted fast and formatted perfectly, Polgarus Studio came through for me. My expectations were exceeded. It's a relief knowing I can count on a hand-formatted e-book that will work on every device. Highly recommended!
Because people really got tired, too, of the same old formatted sort of thing, and the same old formatted music.
E-readers are uninspired. They're slabs of plastic with fiddly controls and display a badly-formatted, typographically impoverished rendering of a paper book. That's not the electronic book I want. I want a gorgeous physical object, with paper pages, that can transform into any story I choose, perfectly presented on the page.
We formatted our shows so that, at nine o'clock, we were in the heat of hard-hitting, fast-paced cruiserweight action, and it was so different from the WWE that it worked.
I stray away from formulaic, the formatted.
Bigg Boss' is all about human emotions, it's not a formatted show.
It is formatted, and I'm tired of using vi. I get really bored.
Books can now be on the stands within days from delivery of a formatted manuscript, and often are.
We didn't want to worry about the formula that has been implanted into our brains - this verse/pre-chorus/chorus format. When we were writing 'The Papercut Chronicles,' we had no idea about any of that. We didn't know how to count bars or how to write what's considered a well-formatted pop song.
It’s very strange how electronic music formatted itself and forgot that its roots are about the surprise, freedom, and the acceptance of every race, gender, and style of music into this big party.
Although I was once sharply critical of the argument to design, I have since come to see that, when correctly formatted, this argument constitutes a persuasive case for the existence of God.
It's very strange how electronic music formatted itself and forgot that its roots are about the surprise, freedom, and the acceptance of every race, gender, and style of music into this big party. Instead, it started to become this electronic lifestyle which also involved the glorification of technology.
Every time I meet people working in radio, I'm a little embarrassed. It's all pre-programmed, rigidly formatted stuff. Time and time again, when I talk to jocks, they say how jealous they are of the freedom we have on WKRP. I sometimes have to explain to them that it's not a real radio station.
I can't figure Twitter out. The way Twitter is formatted, I can't tell who is saying something and who's replying to something. I don't know who the tweeter is and who's responding to the twit.
One, who studies the ways of power, seeks to end the imprinting process because in imprinting we loser power, we lose attention; we are formatted to do certain things.
The way popular music is categorized and formatted cuts down on everyone's options. And although people don't talk about it, there are a lot of issues of race determining musical categories of what's rock, R&B, or even folk. It ends up restricting creativity.
It's one of those things where the book has all these stars that burn really bright that you hang onto and they're all saying, 'This is The Girl on the Train experience.' All those stars or hooks needed to be in the film, but sometimes they needed to be a bit different. It's important when adapting such a popular book to hit all those points but also break out expectations without slaughtering the book. And that was, for me, the joy of adapting the book.
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