A Quote by Hal Holbrook
Mark Twain married the daughter of one of New York State's leading Abolitionists, Jervis Langdon, who helped Frederick Douglass who became the great Negro leader to escape from slavery.
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...Slavery appears such a relatively mild business that one begins to wonder why Frederick Douglass and so many others ever tried to escape.
If you meet your heroes, you're always going to be disappointed. Frederick Douglass was a great man, but would I want my daughter to marry him? Probably not. That doesn't mean that I don't think he's a great man.
King Arthur and his armored goons of the Round Table functioned as the Politburo of a slave state: Camelot. Of all who have written on the Matter of Arthur, from Malory to White, only Mark Twain understood this. But Mark Twain was a great writer.
My mother introduced me to more academic-minded writers, Cornel West and Skip Gates. In her library, I came across, when I was very young, Harold Cruse's 'The Crisis of the Negro Intellectual,' which is like a bible of Negro intellectuals from Frederick Douglass to Amiri Baraka.
Frederick Douglass had to teach himself how to read before standing up to defeat slavery.
In every era going back to Lincoln with Frederick Douglass, presidents talk to those that were leading at that time.
Samuel Clemens isn't Mark Twain. Mark Twain is Mark Twain. He doesn't become the thing until he creates himself.
It was Frederick Douglass, John Brown, Harriet Tubman, Wendell Phillips - these were the people who made abolition real. Now, none of you guys is in favor of slavery, right?
Mark Dawidziak is as comfy and entertaining a tour guide through the world of Mark Twain as Twain himself was a tour guide through the world. In other words, Mark Twain’s Guide is such a fun read that the only thing dry about it is the ink.
For the Afro-American in the 1920's being a 'New Negro' was being 'Modern'. And being an 'New Negro' meant, largely, not being an 'Old Negro', disassociating oneself from the symbols and legacy of slavery - being urbane, assertive militant.
I was in favour of the death penalty, and disposed to regard abolitionists as people whose hearts were bigger than their heads. Four years of close study of the subject gradually dispelled that feeling. In the end I became convinced that the abolitionists were right in their conclusions...and that far from the sentimental approach leading into their camp and the rational one into that of the supporters, it was the other way about.
The interesting scope of Mark Twain's development as a human being is that he grew. He saw, he travelled, he studied this country and later the world with the eye of a man educating himself. This is a central fact in the Mark Twain legacy. He became an American spokesman for the ideals of racial equality and dignity for the working man because he was willing to look the world in its face and see, really see what was happening to the people in it.
I tend to be one who just speaks from my soul, and so what comes out sometimes is rather harsh. In that sense, I'm very much a part of the tradition of a Frederick Douglass or a Malcolm X who used hyperbolic language at times to bring attention to the state of emergency.
Mark Twain was so good with crowds that he became, in competition with singers and dancers and actors and acrobats, one of the most popular performers of his time. It is so unusual, and so psychologically unlikely, too, for a great writer to be a great performer, too.
If you play Mark Twain and he's not funny, you are definitely not playing Mark Twain. That was the biggest challenge, in some ways. Writing and performing jokes that can come out of that brilliant delivery system he constructed: the friendly, avuncular truth-teller.
Abolition seemed a fantasy when Frederick Douglass called for all slaves to be released.
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