A Quote by Hank Green

And when I think about that sunrise that I woke up to that morning, I just feel like I got as close to nowhere as I could get, and found out that it was more of a place than anywhere I've been in a long time.
In putting setting to work, I like to think about long shots and close-ups. The long shot is the overall view of the place in which the characters live - the island, the town, the wide sweep of place. Then we narrow in. The close-up, the tight focus, makes the place different from anywhere else.
I think that one morning, the Papess woke in her tower, and her blankets were so warm, and the sun was so golden, she could not bear it. I think she woke, and dressed, and washed her face in cold water, and rubbed her shaven head. I think she walked among her sisters, and for the first time saw that they were so beautiful, and she loved them. I think she woke up one morning of all her mornings, and found that her heart was as white as a silkworm, and the sun was clear as glass on her brow, and she believed then that she could live, and hold peace in her hand like a pearl.
You get more insight as you get older, on everything. I kind of woke up one morning and was like, 'Oh I see what's happening, I get everything'. I woke up and was like, 'I get it, I'm a product'.
I remember this one time I had a dream about me writing a screenplay, and when I woke up, you know those dreams that feel so real, but I woke up and I was like, 'Oh my god I have this amazing screenplay I need to write down as soon as I wake up' and then I woke up and I was like what the heck was I dreaming of?
The name Air Supply sort of came from nowhere. I get a lot of my things in dreams and I just had a dream about it one night, and I woke up and said that's just got to be the name. That was in 1975.
I basically live out of my truck - I mean from place to place. I feel more at home in my truck than just about anywhere, which is a sad thing to say, but it's true.
I never felt good enough about myself. I could be better at this, I could be better at that. I could look better. My work could be better. That whole idea that you're going to get caught, you're going to be found out as a fraud. That's one of those reasons I got up at 2:30 in the morning.
I kind of woke up one morning and was like, 'Oh I see what's happening, I get everything'. I woke up and was like, 'I get it, I'm a product.'
I remember telling my second-graders the basic 'Metamorphosis' story, saying, like, 'What about - what if a guy woke up one morning and he was a bug? Wouldn't that be weird?' And they loved that. And I think that was the trigger that made me think, like, 'Oh man, here's my audience. They're just a lot shorter than I ever thought they might be.'
It sucks to be the runner-up because I've been the runner-up for a long time in my career. I would get so close and then lose a huge movie and sometimes it's one kid who beats you out for three different movies. It's so frustrating at the time, but what's so great is the lesson you take from that, which is, 'I've got to get better.'
Making love in the morning got me through morning sickness. I found I could be happy and throw up at the same time.
Morning comes every day; the sunrise does not fail, nor the sunset. Give it time. That is all that may be required. Just give it time. Do not try to push the river. The cycles of life present themselves, play themselves out, and make smooth every passage and terrain. Try not to get caught up in your story of the moment. Look, rather, to the Long Story. Therein will be found your peace. The cycles will redeem this moment, if you let them, and even this shall pass.
One thing that I've been doing for a long time is to wake up really early. I try to get up around 4 or 5 in the morning, long before most of my lab members are up, which gives me some quiet time to really think without distraction. I think that's important.
I feel like I've finally got to this place that I really want to be. The place where, in my fantasy, the characters just get up and walk around - this interstitial place between humans and dolls. But I also feel like, where am I supposed to go from here? Because this feels like the place I've always wanted to be, for my whole life of shooting.
You have to get knocked down to realize how people really feel about you. I've realized that more than ever lately. The other day, I was on my way to the car. It was hailing, the streets were slippery and I was having a tough time of it. I came to a corner and started to slip. But before I could fall, four people jumped out of nowhere to help me. When I thanked them, they all said they knew about my illness and had been keeping an eye on me.
A ghost would crawl up my leg and have sex with me at an apartment a long time ago in Texas. I used to think it was my boyfriend, and one day I woke up and it wasn't. I was freaked out about it, but then I was, like, 'Well, you know what? He's never hurt me and he just gave me some amazing sex, so I have no problem.
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