A Quote by Cilla Black

I didn't think before that I'd done enough to justify publishing an autobiography but after 40 years in show business I'm now ready to tell my story. — © Cilla Black
I didn't think before that I'd done enough to justify publishing an autobiography but after 40 years in show business I'm now ready to tell my story.
My mom would have killed me before, but I'm an adult woman now, and I'm ready to show the world that you can have it all at 40 - be fabulous, 40, and pose for Playboy.
Forget about 40 years in show business. Just surviving 27 years of Nicole Richie is enough.
I honestly would tell anyone young to start looking at stories and learning story, because I think that’s the next step after people go, ‘OK, I’ve had enough of that improvisation, I’ve had enough of those short comedy bits. Tell me a story, tell me a more complex story, something that lasts and maybe has a little more meaning to it.’ Don’t ever look at what’s happening now; look at what’s coming next.
I tell them I have worked 40 years to make the W.S. platform broad enough for Atheists and Agnostics to stand upon, and now if need be I will fight the next 40 to keep it Catholic enough to permit the straightest Orthodox religionist to speak or pray and count her beads upon. (on women's suffrage)
For right now, I'd like to tell stories that I want to tell. I haven't wanted to use someone else's material yet, but I would with the show. It's become an integral enough part of me now, that I could definitely tell a story in this.
Even now, I still get a bit apprehensive before a game because I am worried about whether I have done enough preparation or if something is going to catch me out. But the fear factor has gone - as it should have done by now, really, after nearly 50 years.
I'm a great supporter of transcendental meditation. I've been using it for almost 40 years now - and I think it's a great tool for anyone to have, to be able to utilize as a tool for stress. Stress, of course, comes with almost every business. I think there are enough studies out there that show that TM is something that could benefit anybody. It's a great system to use. Otherwise, why would I've been doing it for all these years, for almost half of my life?
I was 40 years old before I became an overnight success, and I'd been publishing for 20 years.
Do not think your story [for a one-person show] is unique. . . . your story is the same as millions of others. But that's o.k. - you just need to find the one or two things that makes your story interesting enough to justify someone leaving their apartment and exchanging currency.
The excitement does not change. After 40 years in the business, I still find the show to be a magical moment - the performance anxiety, the litmus test.
In 40-odd years in show business, some years I could do no wrong, and some years I could do nothing right. Show business. I owe it everything - it owes me nothing.
Well, I just can't play the game anymore. I'm 63 years old, and I've been in the business for 40 years now. I take good advice and direction really well, but I don't need somebody that finished college two years ago to come in and tell me what I should be recording.
For people to come to you and say, 'Would you like to be a part of our show?' after years of 'Please tell me I'm good enough,'... I can't tell you how wonderful it feels.
For people to come to you and say, 'Would you like to be a part of our show?' after years of 'Please tell me I'm good enough'... I can't tell you how wonderful it feels.
'The Immigrant Story,' which took me about twenty-five years to write, was a very simple story, but I couldn't think of how to tell it. Then twenty years after I started it, I found this one page and realized it was going to be the story. That's the only way you get it sometimes.
Now, almost twenty years since my last job in book publishing, I know that there are far more socially inept people in book than in magazine publishing. At the time, however, I just didn't feel I was enough: smart enough, savvy enough, well read enough, educated enough, charming enough. Much of this was probably because I was very naive, and didn't really know how to behave in an office. This made me a terrible assistant, which in turn made me a terrible junior book editor.
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